Name: Alcina
Start: 2024-02-06T00:00:00.000Z
End: 2024-02-10T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Conductor

Andrea Marcon

Stage director

Lotte de Beer

Set designer

Christof Hetzer

Costume designer

Jorine van Beek

Lighting designer

Alex Brok

Video designer

Fett Film

Singer

Soprano

Jone Martínez

Alcina

Lucía Martín-Cartón

Morgana

Ruth González

Oberto

Countertenor

Maité Beaumont

Ruggiero

Contralto

Daniela Mack

Bradamante

Tenor

Juan Sancho

Oronte

Bass

Gabriel Bermúdez

Melissio

Teatro Maestranza

Orchestra

Orquesta Barroca de Sevilla

Others

Producción de la Deutsche Oper am Rheim

Seville

Spain

Teatro de la Maestranza

Alcina Händel

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Alcina, de Georg Friedrich Händel | Ópera

Una historia mágica sobre el poder y la redención

Este cuento de hadas que nos embruja con el uso de la magia para seducir a los amantes, es una de las más bellas óperas de G. F. Händel, quizá porque el compositor confía toda la potencia lírica a la capacidad arrolladora de una historia de amor atravesada por ribetes fantásticos y a una escritura musical que embelesa por la alta potencia expresiva de su belleza melódica.

En una isla encantada, Alcina es una poderosa hechicera que emplea sus poderes mágicos para enamorar a los hombres a los que luego, cansada de ellos, convertirá en animales salvajes. Sin embargo, su inesperada entrega a un amor no correspondido, en medio de un confuso enredo sentimental lleno de episodios de celos, confusión y caos, la arrastrará a una deriva emocional que nos lleva a reflexionar sobre el uso del poder, sobre la redención y sobre la posibilidad de abrazar la empatía y el amor. Alcina es hoy una de las óperas de Händel más celebradas y programadas y ha sido cantada por voces como Renée Fleming, Natalie Dessay o Magdalena Kozená.

La soprano Jone Martínez, la mezzo Maite Beaumont, junto a Lucía Martín- Cartón, Daniela Mack, Ruth González, Juan Sancho y Gabriel Bermúdez, comparten un espléndido reparto de voces para el retorno de la ópera barroca escenificada al Maestranza, en una producción de la reconocida Lotte de Beer, contando en el foso con la siempre excelente Orquesta Barroca de Sevilla dirigida por un brillante especialista, Andrea Marcon.


Libreto de Antonio Marchi, basado en L’isola d’Alcina de Riccardo Broschi a partir de los cantos VI y VII del poema épico Orlando furioso (1516) de Ludovico Ariosto.
Estreno en la Royal Opera House de Londres el 16 de abril de 1735.

español

A magical story of power and redemption

This fairy tale that bewitches us with the use of magic to seduce lovers is one of GF Händel's most beautiful operas, perhaps because the composer entrusts all his lyrical power to the overwhelming capacity of a love story traversed by fantastic borders and a musical writing that captivates by the high expressive power of its melodic beauty.

On an enchanted island, Alcina is a powerful sorceress who uses her magical powers to make men fall in love and then, tired of them, she will turn them into wild animals. However, her unexpected surrender to an unrequited love, in the midst of a confusing sentimental entanglement full of episodes of jealousy, confusion and chaos, will drag her into an emotional drift that leads us to reflect on the use of power, on redemption and about the possibility of embracing empathy and love. Alcina is today one of the most celebrated and scheduled Händel operas and has been sung by voices such as Renée Fleming, Natalie Dessay or Magdalena Kozená.

The soprano Jone Martínez, the mezzo Maite Beaumont, together with Lucía Martín-Cartón, Daniela Mack, Ruth González, Juan Sancho and Gabriel Bermúdez, share a splendid cast of voices for the return of the baroque opera staged at the Maestranza, in a production of the renowned Lotte de Beer, counting in the pit with the always excellent Seville Baroque Orchestra directed by a brilliant specialist, Andrea Marcon.


Libretto by Antonio Marchi, based on L'isola d'Alcina by Riccardo Broschi from songs VI and VII of the epic poem Orlando furioso (1516) by Ludovico Ariosto.
Premiere at the Royal Opera House in London on April 16, 1735.

English

Alcina by Händel, Tli 06 Fra 2024, Minn (2024/2024), Immexxi minn Lotte de Beer,, Surmast Direttur Andrea Marcon, Teatro de la Maestranza, Seville, Spain

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