Name: A kékszakállú herceg vára
Start: 2024-03-21T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Lithuanian National Opera and Ballet Theatre

Organization

Stage director

Csaba Káel

Set designer

Boris Kudlička

Choreographer

Krzysztof Pastor

Chorus master

Česlovas Radžiūnas

Costume designer

Tatyana van Walsum

Lighting designer

Marc Heinz

Video designer

Mikolaj Molenda

Soprano

Ausrine Stundyte

Judith

Lithuanian National Opera and Ballet Theatre

Singer

Greta Gylyte

Mergina

Ignas Armalis

Mandarinas

Bass-baritone

Tadas Girininkas

Bluebeard

Conductor

Robertas Servenikas

A kékszakállú herceg vára -  (Bluebeard's Castle)

Vilnius

Lithuania

Main Stage

A kékszakállú herceg vára Bartók

Public

Bluebeard's Castle

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Contralto

Baritone

Mezzo-soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

nas
Vieno žymiausių XX a. kompozitorių Béla Bartóko (1881–1945) vienaveiksmių scenos kūrinių diptikas, jungiantis baletą „Stebuklingas mandarinas“ ir operą „Hercogo Mėlynbarzdžio pilis“. Šie B. Bartóko kūriniai pasaulio teatruose dažnai rodomi vieno spektaklio metu.

Diptiko kūrėjų komanda, vadovaujama žymaus choreografo ovo Krzysztofo Pastoro ir vengrų režisieriaus Csabos Kaelio, „Hercogo Mėlynbarzdžio pilies“ istoriją pateikia kaip „Stebuklingo mandarino“ pagrindinio veikėjo priešmirtinį prisiminimą. Tad Mandarinas ir Hercogas Mėlynbarzdis šioje koncepcijoje – tarsi vienas personažas.

Pasak K. Pastoro, baletas „Stebuklingas mandarinas“ pasakoja brutalią didmiesčio istoriją, kurioje muštynių daugiau nei meilės duetų. Tai istorija apie gatvėje parsidavinėjančią Moterį, kuri vieną po kito sutinka tris vyrus: pagyvenusį poną, jauną vaikiną ir galiausiai – paslaptingąjį Mandariną. Visus juos lydi mirties ženklas: po susitikimo su Moterimi visi vyrai žūsta. Tačiau Mandariną ir Moterį sieja ypatingas neišsipildžiusios aistros ryšys. Todėl kai Moters suteneriai bando sunaikinti atkaklųjį Mandariną, nužudytas jis kaskart atgimsta: begalinis troškimas būti su mylimąja prikelia jo gyvybines jėgas. Ir tik tuomet, kai Moteris pagaliau atsako į meilužio jausmus, stebuklingasis Mandarinas miršta. O mirdamas prisimena, koks negailestingas kadaise buvo jį mylėjusioms moterims...

Vengrų režisierius Cs. Kaelis „Hercogo Mėlynbarzdžio pilį“ linkęs vadinti labiau misterija nei opera: mat kūrinys nepasižymi nei dideliais chorais, nei personažų gausa. Visas dėmesys jame sutelktas į du vienas kito paslaptis siekiančius perprasti veikėjus – Juditą ir Hercogą Mėlynbarzdį. Operos libreto pagrindu pasirinkta prancūzo rašytojo Charles‘o Perrault sukurta pasaka apie Mėlynbarzdį, kuris po vestuvių pokylio nuotaką parsigabena į jam priklausančią pilį. Pilis apylinkėse garsėja tuo, kad trys jos slenkstį peržengusios moterys – jaunosios Mėlynbarzdžio žmonos ­– viena po kitos paslaptingai pradingdavo. Kitas merginas tai baugina, bet kartu ir vilioja: joms smalsu sužinoti, kas pilyje dedasi. Judita, nepaisydama Mėlynbarzdžio įspėjimų, sugeba įveikti septynių pilies kambarių išbandymų labirintą, atveriantį tamsiausias vyro sielos paslaptis. Ji neišsigąsta nė trijų buvusių Mėlynbarzdžio žmonų išverktų ašarų ežero, tačiau ar vien jos pasiryžimo pakaks laimingai poros ateičiai?

Abu kūriniai, skandalingai pradėję savo gyvavimą XX a. pradžioje (opera skurta 1911 m., baletas – 1919 m.) tebežavi ir tebeintriguoja paslaptingais, pasakiškais siužetais, puikia muzika.

lietuvių

One of the most famous 20th century a diptych of one-act stage works by composer Béla Bartók (1881-1945), combining the ballet The Magic Mandarin and the opera Duke Bluebeard's Castle. These works by B. Bartók are often shown in one performance in theaters around the world.

Diptych's creative team, led by renowned choreographer ovo Krzysztof Pastor and Hungarian director Csaba Kael, present the story of "Duke Bluebeard's Castle" as the pre-death memory of the main character of "The Magical Mandarin". So Mandarin and Duke Bluebeard are like one character in this concept.

According to K. Pastor, the ballet "The Magical Mandarin" tells a brutal story of a big city, where there are more fights than love duets. It's the story of a street-loving woman who meets three men one by one: an elderly gentleman, a young guy, and finally, the mysterious Mandarin. All of them are accompanied by the sign of death: after meeting the Woman, all men perish. However, Mandarin and Woman share a special bond of unfulfilled passion. Therefore, when the Woman's pimps try to destroy the persistent Mandarin, he is reborn every time he is killed: the endless desire to be with his beloved revives his vital forces. And only when the Woman finally responds to the lover's feelings, the magical Mandarin dies. And as he dies, he remembers how merciless he once was to the women who loved him...

Hungarian director Cs. Kaelis tends to call "Duke Bluebeard's Castle" more a mystery than an opera: because the work is not characterized by large choruses or an abundance of characters. All the attention is focused on two characters trying to understand each other's secrets - Judith and Duke Bluebeard. The opera's libretto was based on a tale created by the French writer Charles Perrault about Bluebeard, who takes the bride back to his castle after the wedding feast. The castle is famous in the surrounding area for the fact that three women who crossed its threshold - Bluebeard's young wives - mysteriously disappeared one after another. The other girls are frightened by this, but at the same time they are attracted: they are curious to know what is going on in the castle. Judith, despite Bluebeard's warnings, manages to overcome the maze of trials in the seven rooms of the castle, which unlocks the darkest secrets of the man's soul.

Both works, which scandalously began their existence in the 20th century. at the beginning (the opera was composed in 1911, the ballet in 1919) still fascinates and intrigues with mysterious, fabulous plots, great music.

English

Bluebeard's Castle by Bartók, Sâm 23 Mart. 2024, De la (2024/2024), Regizat de către Csaba Káel,, Dirijor Robertas Servenikas, Lithuanian National Opera and Ballet Theatre, Vilnius, Lithuania

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