Name: 10. Sinfoniekonzert
Start: 2024-06-06T00:00:00.000Z
End: 2024-06-07T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Anna Skryleva

Theater Magdeburg

Orchestra

Magdeburg Philharmonic

Singer

Katerina von Bennigsen

Soprano

10. Sinfoniekonzert

Magdeburg

Germany

Opernhaus

Bühne

Public

Till Eulenspiegel's Merry Pranks

Don Juan, op. 20

Mirror for soprano and orchestra

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Contralto

Tenor

Countertenor

Baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

„analyse mir unmöglich, aller witz in toenen ausgegeben. brief folgt“, telegrafierte Richard Strauss auf die schriftliche Anfrage zum Programm seiner Sinfonischen Dichtung Till Eulenspiegels lustige Streiche – und tatsächlich ist der Titel Programm. In der Tradition von Liszt und Berlioz vertonte er, nach der Vorlage eines mittelniederdeutschen Volksbuchs, fünf Streiche des Schalks Till Eulenspiegel – mit rahmendem Prolog und Epilog – und griff dabei auf das Rondo-Prinzip zurück, das bereits für Don Juan strukturgebend war.
Ebenfalls nach einer literarischen Vorlage, aber in gänzlich anderer Struktur, komponierte GMD Anna Skryleva Mirror für Sopran und Orchester. Ausgehend von ihrem gleichnamigen Gedicht, einem Palindrom – das von vorn und hinten gelesen werden kann – überträgt sie einzelne Silben und ganze Worte in Motivstrukturen, sodass das Gedicht nicht nur zur sprachlichen, sondern auch zur formalen Grundlage der Komposition wird. Gemeinsam mit Ensemblemitglied Rosha Fitzhowle gestaltet sie zum Abschluss der Spielzeit die Uraufführung ihrer eigenen Komposition.

Deutsch

"It's impossible for me to analyze, all jokes spent in tones. letter follows”, Richard Strauss telegraphed in response to the written request for the program of his symphonic poem Till Eulenspiegel's amusing pranks – and indeed the title says it all. In the tradition of Liszt and Berlioz, based on a Middle Low German chapbook, he set five pranks by the rogue Till Eulenspiegel to music - with a framing prologue and epilogue - and in doing so he drew on the rondo principle that was already structuring for Don Juan . GMD Anna Skryleva also composed Mirror
based on a literary model, but with a completely different structure for soprano and orchestra. Starting from her poem of the same name, a palindrome – which can be read from the front and back – she transfers individual syllables and whole words into motif structures, so that the poem becomes not only the linguistic but also the formal basis of the composition. Together with ensemble member Rosha Fitzhowle, she will premiere her own composition at the end of the season.

English

10. Sinfoniekonzert by Strauss, Skryleva, čet. 06 jun. 2024, Od (2024/2024), Dirigent Anna Skryleva, Opernhaus, Magdeburg, Germany

Krediti za predstavo (Zasedba in producentska ekipa )

Ansambel

Program, O in Sinopsis

Dodatno branje

Datumi in prizorišča nastopov

Lokacija