Soprano

Michelle Marie Cook

Artist

Approved

2017

2011

2010

2009

2008

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Guitarist

Percussionist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Mezzo-soprano

Baritone

Bass

Countertenor

Contralto

Tenor

Spoken

Child vocalist

Silent

Alto

Tosca shows us the best characteristics of Puccini's composition and its ability to know how to contribute at all times what is necessary, and become unique in reference to the vocal and stage performance of the singers.
It is considered one of the most representative operas of the Italian verista repertoire (realist-naturalist style) of the second half of the nineteenth century and early twentieth century, for its dramatic intensity, with brilliantly shocking scenes such as the "Te Deum" of the Mixed Choir and Baron Scarpia at the end of the first act, and to host some of the most beautiful and exciting arias in the repertoire, such as the "Vissi d'arte" by the female protagonist Floria Tosca, the second act, or the "E lucevan le stelle" of the male protagonist Mario Cavaradossi, in the third and final act of the play.
The plot combines love, intrigue, violence, passion and death. Along with Madama Butterfly and La Bohème, he is part of Puccini's most famous opera trio.

Michelle Marie Cook

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