Marta Wryk Mezzosoprano Mozart Non temer amato bene
Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2012 — vakar
Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Skatīt dalībniekus un komandu-
Il barbiere di Siviglia (The Barber of Seville), Rossini
Theater BielefeldRosina
Skatīt dalībniekus un komandu-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Skatīt dalībniekus un komanduParsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Skatīt dalībniekus un komanduParsifal, Wagner, Richard
Theater BielefeldKlingsors Zaubermädchen 3 (Third flower maiden) + 1 lomas
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Skatīt dalībniekus un komandu-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Skatīt dalībniekus un komandu
Parsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Skatīt dalībniekus un komandu
Gaidāmās izrādes
149. Symphoniekonzert, Mahler
Theater BielefeldContralto
Skatīt dalībniekus un komanduThe Convert, Henderickx
Theater BielefeldLutgardis + 3 lomas
Skatīt dalībniekus un komandu
Biogrāfija
After her successful American debut as Aglaonice in Philip Glass' Orphée at the Virginia Opera, young Polish mezzo-soprano Marta Wryk came to the attention of European audiences and the press when she stepped in the role of Smeton in Anna Bolena at Oper Köln. Critics praised her for having “the most promising voice with spectacular high notes” (ResMusica) and for her “remarkable Italianitá” (Der nueu Merker). While still a member of the Oper Köln Opera Studio, she was featured in several leading roles, including Cherubino in Le Nozze di Figaro, Hänsel in Hänsel und Gretel, Oberto in Alcina and Gianetta in L’elisir d’Amore . She then joined the ensemble of Oper Köln and performed, among others, the role of Mercédès in Carmen, Second Lady in The Magic Flute and Laura in Tschaikovsky’s Jolant
