Marta Wryk Mezzosoprano Mozart Non temer amato bene
Crèdits de representació
Actuacions passades 2012 — Ahir
Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Veure elenc i equip-
-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Veure elenc i equipParsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Veure elenc i equipActuacions anteriors destacades
Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Veure elenc i equip-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Veure elenc i equip
Parsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Veure elenc i equipProperes actuacions
12The Convert, Henderickx
Theater BielefeldLutgardis + 3 rols
Veure elenc i equip
Biografia
After her successful American debut as Aglaonice in Philip Glass' Orphée at the Virginia Opera, young Polish mezzo-soprano Marta Wryk came to the attention of European audiences and the press when she stepped in the role of Smeton in Anna Bolena at Oper Köln. Critics praised her for having “the most promising voice with spectacular high notes” (ResMusica) and for her “remarkable Italianitá” (Der nueu Merker). While still a member of the Oper Köln Opera Studio, she was featured in several leading roles, including Cherubino in Le Nozze di Figaro, Hänsel in Hänsel und Gretel, Oberto in Alcina and Gianetta in L’elisir d’Amore . She then joined the ensemble of Oper Köln and performed, among others, the role of Mercédès in Carmen, Second Lady in The Magic Flute and Laura in Tschaikovsky’s Jolant
