Crèdits de representació
Properes actuacions Avui Endavant
Actuacions passades 2016 — Ahir
La Cenerentola (Cinderella), Rossini
Deutsches Nationaltheater und Staatskapelle WeimarTisbe
Veure elenc i equip-
Ariadne auf Naxos (Ariadne on Naxos), Strauss
Deutsches Nationaltheater und Staatskapelle WeimarDryade (Dryad)
Veure elenc i equipDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Deutsches Nationaltheater und Staatskapelle WeimarMary
Veure elenc i equip-
My Fair Lady, Loewe
Deutsches Nationaltheater und Staatskapelle WeimarEliza Doolittle
Veure elenc i equip-
Ariadne auf Naxos (Ariadne on Naxos), Strauss
Deutsches Nationaltheater und Staatskapelle WeimarDryade (Dryad)
Veure elenc i equipActuacions anteriors destacades
La Cenerentola (Cinderella), Rossini
Deutsches Nationaltheater und Staatskapelle WeimarTisbe
Veure elenc i equip-
Ariadne auf Naxos (Ariadne on Naxos), Strauss
Deutsches Nationaltheater und Staatskapelle WeimarDryade (Dryad)
Veure elenc i equip
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Deutsches Nationaltheater und Staatskapelle WeimarMary
Veure elenc i equip-
My Fair Lady, Loewe
Deutsches Nationaltheater und Staatskapelle WeimarEliza Doolittle
Veure elenc i equip-
Properes actuacions
5Das Rheingold (The Rhinegold), Wagner, Richard
Theater DortmundFlosshilde
Veure elenc i equipDas Rheingold (The Rhinegold), Wagner, Richard
Theater DortmundFlosshilde
Veure elenc i equip
Biografia
Since the 2020/2021 season, Marlene Gaßner has been an ensemble member at the Deutsches Nationaltheater Weimar. There, she made her debut in the title role of the opera “CARMEN“. In the current season in Weimar, the mezzo-soprano takes on roles such as Mary in “DER FLIEGENDE HOLLÄNDER”, Tisbe in “LA CENERENTOLA”, and Eliza Doolittle in “MY FAIR LADY,” among others. In May 2024 she can also be seen as Floßhilde in Richard Wagners “DAS RHEINGOLD” at Theater Dortmund. Last season, she portrayed, among others, Caesonia in Detlev Glanert’s “CALIGULA” and Amelfa in “DER GOLDENE HAHN”. Guest engagements led her to perform as a page in “RIGOLETTO” at the NDR Klassik Open-Air, as a robber girl/flower/princess in Samuel Penderbayne’s “DIE SCHNEEKÖNIGIN” at the Deutsche Oper Berlin, and as a Dryad in
