Marco Bellussi

For over twenty years he has carried out continuous directing activities in Italy and abroad. His repertoire mainly concerns the musical theater and ranges from the compositions of Monteverdi (Orfeo, Il ballo delle ingrate, Il fighting by Tancredi and Clorinda) to Dido and Aeneas by Purcell; from the baroque masterpieces of Handel and Vivaldi (Tamerlano, Esther, Acis and Galatea, the Fida nymph) to the Alceste of Gluck; from the great Mozart repertoire (dapontian trilogy, Die zauberflote, Die schauspieldirektor) to the 800 of Rossini (The Barber of Seville, The promissory note and Il signor Bruschino) , Strauss (Die fledermaus) and Korsakov (Mozart and Salieri). Then comes the twentieth century of Puccini (Butterfly and Tosca) , Wolf-Ferrari (Susanna's secret) and Hans Krasa (Brundibar) .