Tidligere forestillinger 2010 – I går
L'italiana in Algeri (The Italian Girl in Algiers), Rossini
St Petersburg Opera CompanyZulma
Se rollebesetning og crewLe comte Ory (Count Ory), Rossini
Opera SouthwestDame Ragonde (Lady Ragonde)
Se rollebesetning og crewOrphée aux enfers (Orpheus in the Underworld), Offenbach
Madison OperaL'Opinion Publique (Public Opinion)
Se rollebesetning og crewPelléas et Mélisande (Pelléas and Mélisande), Debussy
Opera SouthwestGeneviève (Genevieve)
Se rollebesetning og crewL'italiana in Algeri (The Italian Girl in Algiers), Rossini
St Petersburg Opera CompanyZulma
Se rollebesetning og crewLe comte Ory (Count Ory), Rossini
Opera SouthwestDame Ragonde (Lady Ragonde)
Se rollebesetning og crewOrphée aux enfers (Orpheus in the Underworld), Offenbach
Madison OperaL'Opinion Publique (Public Opinion)
Se rollebesetning og crewPelléas et Mélisande (Pelléas and Mélisande), Debussy
Opera SouthwestGeneviève (Genevieve)
Se rollebesetning og crewLaurel Semerdjian, an American mezzo-soprano of Armenian descent, has recently been hailed as "a dramatic and musical tour de force" (Pittsburgh Tribune) for her portrayal of Asakir in Pittsburgh Opera's production of Mohammed Fairouz's Sumeida's Song. Her voice has been praised for its "guttural low notes" (Pittsburgh Post Gazette) and "appealing weight, intensity and flexibility". In January 2020, Ms. Semerdjian returned to Pittsburgh Opera, singing the role of Bradamante in Handel’s Alcina and in the spring of 2020, Ms. Semerdjian made a company debut with Florentine Opera, singing the title role in Le Tragédie de Carmen, and was slated to return to Resonance Works to debut the role of Maddalena in Rigoletto and Symphony Tacoma for their Mozart Requiem (COVID19). During the 20-21 seaso