Biography
Renowned not only for his luxurious voice, confidence, and style, but also for his versatility and ability to bring a character to life on stage, bass-baritone Kyle Albertson is taking the business by storm. In his recent début as Wotan in Wagner’s epic masterpiece Die Walküre, in Maestro Jaap van Zweden final performance with the Dallas Symphony, Theater Jones exclaimed, “the most impressive aspect of this performance came undoubtedly from Wotan…his voice masterfully brought the character to life…Albertson’s interactions throughout the performance with his most beloved daughter, Brünnhilde were ingenuously convincing. Coupled with Albertson’s commanding, though endearing, baritone, these moments did not seem like an opera concert at all, rather a fully realized engagement of dramatic and
Performance credits
Upcoming performances Today Onwards
Past performances 2006 — Yesterday
Dudamel Leads Das Rheingold - Celebrating Frank Gehry, Wagner, Richard
LA PhilDonner
View cast and crewDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Pittsburgh OperaDer Holländer (The Dutchman)
View cast and crewFeatured past performances
Dudamel Leads Das Rheingold - Celebrating Frank Gehry, Wagner, Richard
LA PhilDonner
View cast and crew
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Pittsburgh OperaDer Holländer (The Dutchman)
View cast and crew
Upcoming performances
4Tosca, Puccini
Pittsburgh OperaIl Barone Scarpia (Baron Scarpia)
View cast and crew
Biography
Renowned not only for his luxurious voice, confidence, and style, but also for his versatility and ability to bring a character to life on stage, bass-baritone Kyle Albertson is taking the business by storm. In his recent début as Wotan in Wagner’s epic masterpiece Die Walküre, in Maestro Jaap van Zweden final performance with the Dallas Symphony, Theater Jones exclaimed, “the most impressive aspect of this performance came undoubtedly from Wotan…his voice masterfully brought the character to life…Albertson’s interactions throughout the performance with his most beloved daughter, Brünnhilde were ingenuously convincing. Coupled with Albertson’s commanding, though endearing, baritone, these moments did not seem like an opera concert at all, rather a fully realized engagement of dramatic and
