Soprano

Katia Guedes

Artist

Approved

2017

2012

2010

2009

2008

2007

2006

2003

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baritone

Singer

Contralto

Bass-baritone

Countertenor

Tenor

Bass

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Estreno mundial de la ópera 'La ciudad de las mentiras', de Elena Mendoza y Matthias Rebstock, encargo del Teatro Real.Una polifonía de personajes, lugares y...

The City of Lies: World Premiere | Teatro Real 200 years 16/17

World premiere of the opera 'La ciudad de las mentiras', by Elena Mendoza and Matthias Rebstock, commissioned by the Teatro Real. A polyphony of characters, places and situations surround the structure of La Ciudad de las Lies, the premiere of Elena Mendoza at the Teatro Real. The opera by the Spanish composer, based on four stories by Juan Carlos Onetti, tells the story of a miniature city where four women create a parallel universe through dreams and stories to escape from their own reality, and in which lies it stands as the basis of social relations.

Talk at the Instituto Cervantes about The city of lies | Teatro Real 200 years 16/17

Katia Guedes

Performance credits

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