Kathryn Henry

Hailed for her “clean coloratura and silvery voice,” Kathryn Henry is quickly making a name for herself as one of the most promising artists to watch. She graciously moves audiences with her “flawless sense of line” and “shimmering warmth of sound” that “combines dignity and strength with profound sorrow.” Ms. Henry notably assumed the title role in Janáček’s Jenůfa, substitute to Lise Davidsen, with conductor Jakub Hrůša at the Lyric Opera of Chicago; where she also sings the High Priestess in Francesca Zambello’s production of Verdi’s Aida. She then debuts with the Richmond Symphony Orchestra in Strauss’ Four Last Songs and returns to the Santa Fe Opera to cover Marschallin and sing Marianne in Der Rosenkavalier. Following her grand debut at the Santa Fe Opera as Lucy Harker in the wor