Mezzo-soprano

Julia Müller-Wolthuis

Artist

Approved

2019

2015

2014

Individual contributor id

include virtual contributors

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Contralto

Tenor

Bass-baritone

Baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Orpheus and Eurydice do not have to contend with adverse fate, but with boredom and weariness in what is probably the most irreverent version of the myth that has ever been presented. Jacques Offenbach's »opéra bouffon« from 1858 satirizes conditions in Paris during the Second Empire: disguise and façade are everything. It is important to keep up appearances under all circumstances, otherwise »public opinion« threatens character assassination. It is only this threat that finally persuades Orpheus to go into the underworld to look for his wife there. Eurydice herself has no intention of returning to marital ennui, instead throwing herself into the arms of the god of hell Pluto - and, when he too disappoints her, into the clutches of a seductive fly... The story of a desperate search for happiness and adventure, which always fails for the same reasons, is staged by Markus Bothe as a fast-paced, over-the-top game of hide-and-seek in which people love, lie, suffer and laugh to their heart's content. Of course, the famous can-can from hell shouldn't be missing either. Musical direction: Benjamin Reiners / Matthew Toogood Director: Markus Bothe Stage: Robert Schweer Costumes: Justina Klimczyk Light: Damian Chmielarz Choreography: Norbert Steinwarz Dramaturgy: Cordula Demattio Choir: Dani Juris Orpheus: Joshua Whitener Euyridke: Amelia Scicolone Pluto / Aristeus: Joachim Goltz Styx: Wolfgang Neumann Jupiter: Thomas Berau Juno: Marie Belle Sandis Venus: Estelle Kruger / Stefanie Smits Diana: Iris Kupke Mars: Ilya Lapich Mercury: Uwe Eikotter Cupid: Ludovica Bello Public opinion: Heidrun Arnegger, Monika Fuhrmann, Gerda Maria Knauer, Julia Müller-Wolthuis, Susanne Nederkorn, Susanne Scheffel, Anja Wollenweber Further information and all performance dates

Julia Müller-Wolthuis

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