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Tosca – Royal Opera House – Winter 2022

"Josef Jeongmeen Ahn, a Jette Parker Artist, took on the role of Angelotti with great conviction – a true star in the making."

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29 ноември 2022www.london-unattached.comFiona Maclean
Maria Agresta captivates in latest ROH revival of Madama Butterfly

Jeremy White as an authoritative Bonze and Josef Jeongmeen Ahn as the rejected Prince Yamadori were both well-judged.

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13 септември 2022bachtrack.comDavid Truslove

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6
Il barbiere di Siviglia, Rossini
D: Moshe LeiserPatrice Caurier
C: Rafael PayareChristopher Willis
Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’

"young Korean bass Josef Jeongmeen Ahn as Almaviva’s servant Fiorello, this cast was as vocally perfect as one could wish."

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04 февруари 2023www.thearticle.comMark Ronan
Tosca, Puccini
D: Jonathan Kent
C: Daniel Oren
Royal Opera House – Jonathan Kent’s Production Of Puccini’s Tosca – Natalya Romaniw, Freddie De Tommaso & Erwin Schrott; Conducted By Daniel Oren

"The other roles are sung with clarity, especially Josef Jeongmeen Ahn’s spry Angelotti."

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12 декември 2022www.classicalsource.comCurtis Rogers
Natalya Romaniw, Freddie De Tommaso, & Erwin Schrott in Puccini's Tosca at Covent Garden

"Josef Jeongmeen Ahn made a fine Angelotti indeed, well sung and believable"

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19 декември 2022www.planethugill.comPlanet Hugill
Madama Butterfly, Puccini
D: Moshe LeiserPatrice Caurier
C: Nicola Luisotti
Maria Agresta captivates in latest ROH revival of Madama Butterfly

Jeremy White as an authoritative Bonze and Josef Jeongmeen Ahn as the rejected Prince Yamadori were both well-judged.

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13 септември 2022bachtrack.comDavid Truslove
Così fan tutte, Mozart
D: Beka Savić
C: Nabil Shehata
"Così fan tutte" with the Munich Chamber Opera

Even those who have experienced Mozart's "Così fan tutte" in various productions will not remember any female Don Alfonso. But the guest performance of the Munich Chamber Opera in the Cuvilliés Theater makes it possible. Since no replacement could be found for the sick Frederik Tucker, the assistant director Anna-Lu Rausch played in a black baggy suit, a loose tie and a top hat, while Philipp Gaiser sang from the sheet music to the side. Otherwise a rather cynical mastermind, you now saw a mixture of sad clown and Marlene Dietrich, who often looked on in amazement and with a sphinx-like smile as she watched the experiment of the loyalty test, which in the second act almost tipped from comedy to tragedy.

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04 декември 2019www.sueddeutsche.deKlaus Kalchschmid

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