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Soprano

Jennifer O'Loughlin

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American soprano Jennifer O’Loughlin recently debuted as Mimi in La Boheme and sang the title role in Verdi’s Luisa Miller at the Staatstheater am Gärtnerplatz with great success.  (2023) Also during the 2022/23 season, she made her debut at the Kölner Philharmonie singing Cunegonde in Bernstein's Candide.  

During the 2021/22 season, Ms. O’Loughlin made two important role debuts: Antonia in  
The Tales of Hoffmann and Rosalinde in Der Fledermaus.  With Rosalinde she also made her house debut at the Theater Bonn  jumping in with 24 hours' notice.  (April 2022)

 In November 2021, she became a Bavarian Kammersängerin and sang the title role in Donizetti’s Anna Bolena at the Staatstheater am Gärtnerplatz.  

Ms. O’Loughlin’s most important and current roles are: The  title roles in Maria Stuarda and 
Anna Bolena,  Gilda in Rigoletto,  Luisa in Luisa Miller, Amina in La Sonnambula, Rosina in The Barber of Seville, Konstanze in The Abduction from the Seraglio,  Tytania in A Midsummer Night’s Dream,  Cunegonde in Candide, Rosalinde in Die Fledermaus, Leila in Les pêcheurs de perles, Semele in Handel's Semele,  Antonia in The Tales of Hoffmann, Martha in Martha,  Fiordiligi in Così fan tutte,  and Donna Anna in Don Giovanni. 

Upcoming role debuts include Contessa in Le Nozze di Figaro.  

The  2019/20 season included her role debut as Gretel in Hänsel und Gretel and Gilda in Verdi’s Rigoletto  at Staatstheater am Gärtnerplatz,  as well as two concerts  on the stage of the Philharmonie of Gasteig:  „Letzte Nacht des Jahres“ (New Year’s Eve 2019) with the Münchner Symphoniker and  „Belcanto Opera Gala with the Prague Philharmonic.  

Ms. O’Loughlin traversed continents to make debuts with the Russian National Orchestra at the Tchaikovsky Concert Hall in Moscow singing Cunegonde in Bernstein’s Candide and with Oper Graz singing the title role in Flotow’s Martha during the 2018/19 season.  She was also heard in  Baltimore singing Handel’s Messiah with the Baltimore Symphony Orchestra which was recorded and released on the Naxos Label.  

Two important house debuts were made during the 2017/18 season when Ms. O’Loughlin performed at Teatro Massimo in Palermo singing Tytania in Benjamin Britten’s A Midsummer Night’s Dream and at the Deutsche Oper am Rhein singing Konstanze in Die Entführung aus dem Serail.   

Under the baton of Roberto Abbado, she debuted at Palau de les Arts Reina Sofía in Valencia as Tytania in Britten’s  A Midsummer Night’s Dream (2016/17) and was invited to collaborate with Elīna Garanča on her Deutsche Grammophon recording entitled Revive.  Also during the 2016/17  season, Ms. O’Loughlin was invited to jump in for the same role of Tytania in A Midsummer Night’s Dream at the Hamburgische Staatsoper as well as making her debut as Donna Anna in Staatstheater am Gärtnerplatz' new production of Don Giovanni.  

In 2015, Ms. O’Loughlin performed Pergolesi’s Stabat Mater with the RAI Orchestra Sinfonica Nationale in Torino and  Carmina Burana at the International George Enescu Festival in Bucharest.  She also made her triumphant debut as Amina in La Sonnambula which launched her success in the bel canto repertoire.

In 2013, she received the Maria Callas Prize for her performance of the Mad Scene from Lucia di Lammermoor at the PARIS OPERA AWARDS and was nominated as Best Female Lead by the Austrian Music Theater Awards for her performance of Cunegonde in Candide at the Vienna Volksoper.  

She has sung at the Bavarian State Opera, Théâtre du Capitole Toulouse, the Grand Théâtre de Genève, Maggio Musicale Fiorentino, the Vienna State Opera, the The Salzburg and Bregenz Festivals  as well as with the ORF Vienna Radio Symphony Orchestra, the Danish National Chamber Orchestra, the Tonkünstler Orchestra, and with conductors: Manfred Honeck, Zubin Mehta, James Conlon, Roberto Abbado, Daniel Harding, Fabio Biondi, Cornelius Meister, Kristyan Järvi, and Nikolaus Harnoncourt.

Ms. O’Loughlin earned a Bachelor of Music degree at the Peabody Conservatory,  a Master of Music degree at the Manhattan School of Music, and received a Karajan Foundation grant to attend the International Zürich Opera Studio.  She subsequently became an ensemble member at the Vienna Volksoper and  is currently an ensemble member with the Staatstheater am Gärtnerplatz.
She  can be heard on the Naxos label performing Haendel’s Messiah, on  Elīna Garanča’s Deutsche Grammophon recording Revive, Acide by Haydn with the Haydn Sinfonietta Wien (BIS label), Mass by L. Bernstein with the Tonkünstler Orchestra (Chandos label) and the DVD of Rienzi at the Théâtre du Capitole in Toulouse (Opus Arte).

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