Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 1999 – I går
L'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Oper KölnNerone (Nero)
Se rollebesetning og crewL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Theater BaselNerone (Nero)
Se rollebesetning og crewL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Gran Teatre del LiceuL'Amore (Love) + 2 roller
Se rollebesetning og crewL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Opéra Royal de VersaillesNerone (Nero)
Se rollebesetning og crewUtvalgte tidligere forestillinger
L'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Oper KölnNerone (Nero)
Se rollebesetning og crewL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Theater BaselNerone (Nero)
Se rollebesetning og crew
L'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Gran Teatre del LiceuL'Amore (Love) + 2 roller
Se rollebesetning og crew
Kommende forestillinger
17John Blow's Venus and Adonis, CarissimiStylesBlow
La Nuova MusicaHistoricus + 1 roller
Se program, rollebesetning og crewTrionfi, Orff
Staatsoper HamburgCountertenor
Se program, rollebesetning og crewL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Nederlandse ReisoperaNerone (Nero)
Se rollebesetning og crewsø.18:00
Dresden, Germany
Biografi
Already a professional singer at the age of eleven, when he sang Yniold in Pelléas et Mélisande for Glyndebourne Festival Opera, and in several productions at ENO, Jake Arditti has had a meteoric rise to fame since his prize-winning performance at the 2012 Innsbruck Baroque Singing Competition. His “… show-stealing riches of vocal colour and stage presence” (Daily Telegraph) have already brought him widespread critical and public acclaim, not only in such baroque virtuoso warhorses as Handel’s Rinaldo (title-role at Bolshoi Theatre, Moscow), Serse (title-role at Longborough Festival Opera), Riccardo Primo (title-role at the London Handel Festival), Sesto in Giulio Cesare (Teatro Colón and Theater an der Wien), but also in such rarities as Emone in Traetta’s Antigone (Wiener Kammeroper), E
