Kommende forestillinger I dag og frem
Tidligere forestillinger 2016 – i går
Romantic radiance, MendelssohnSchumann
Philharmonia Baroque Orchestra & ChoraleMezzo-soprano
Se program, medvirkende og produktionsholdMadama Butterfly (Madame Butterfly), Puccini
Royal Opera HouseSuzuki
Se medvirkende og produktionsholdMadama Butterfly (Madame Butterfly), Puccini
Royal Danish OperaSuzuki
Se medvirkende og produktionsholdRusalka, Dvořák
Opéra Royal de Wallonie - LiègeKuchtík (The Turnspit)
Se medvirkende og produktionsholdTan Dun: Buddha Passion, Dun
Accademia Nazionale di Santa CeciliaMezzo soprano (mezzosoprano)
Se medvirkende og produktionsholdRomantic radiance, MendelssohnSchumann
Philharmonia Baroque Orchestra & ChoraleMezzo-soprano
Se program, medvirkende og produktionsholdMadama Butterfly (Madame Butterfly), Puccini
Royal Opera HouseSuzuki
Se medvirkende og produktionsholdMadama Butterfly (Madame Butterfly), Puccini
Royal Danish OperaSuzuki
Se medvirkende og produktionsholdTan Dun: Buddha Passion, Dun
Accademia Nazionale di Santa CeciliaMezzo soprano (mezzosoprano)
Se medvirkende og produktionsholdIl barbiere di Siviglia (The Barber of Seville), Rossini
Opera Theatre of Saint LouisRosina
Se medvirkende og produktionsholdFaust, Gounod
Royal Opera HouseSiébel (Siebel)
Se medvirkende og produktionsholdfre.19:00
London, United Kingdomsøn.17:30
London, United KingdomMezzo-soprano Hongni Wu spent two seasons as part of the Royal Opera House, Covent Garden Jette Parker Young Artists Programme, making her house debut as Flora in Richard Eyre’s popular production of La traviata under Antonello Manacorda. Further roles on the main stage included Mercédès in Carmen, Zweite Dame in Die Zauberflöte, Siébel in Gounod’s Faust and, as part of the Young Artists’ Summer Showcase, scenes from Pelléas et Mélisande and Il barbiere di Siviglia. In a production of Hans Werner Henze’s Phaedra at the Linbury Theatre, Wu received unanimous praise for her gripping portrayal of the title role. Of Hongni Wu’s sensational debut as Der Komponist in Ariadne auf Naxos at Opéra National de Montpellier last season, Forum Opéra wrote “the timbre of the voice is fresh, radiant and