Crédits de représentation
Représentations à venir À partir d'aujourd'hui
Performances passées 2001 – Hier
Tosca, Puccini
Opera and Ballet of Slovene National Theatre MariborDirection d'orchestre
Voir la distribution et l'équipeTurandot, Puccini
Taormina Arte - Festival InternazionaleDirection d'orchestre
Voir la distribution et l'équipeIl libro della Giungla (Le Livre de la Jungle), Sollima
I Teatri di Reggio EmiliaDirection d'orchestre
Voir la distribution et l'équipeGala Lirico in Onore di Mario del Monaco, Various
Teatro Mario del Monaco TrevisoDirection d'orchestre
Voir la distribution et l'équipeLa Gioconda, Ponchielli
Fondazione Arena di VeronaDirection d'orchestre
Voir la distribution et l'équipeIl barbiere di Siviglia (Le barbier de Séville), Rossini
Semaine Italienne de MontrealDirection d'orchestre
Voir la distribution et l'équipeReprésentations à venir
19Madama Butterfly (Madame Butterfly), Puccini
Teatro Lirico di CagliariDirection d'orchestre
Voir la distribution et l'équipeTosca, Puccini
Ente Concerti Marialisa de CarolisDirection d'orchestre
Voir la distribution et l'équipeven.20:30
Novare, ItalieVidéos de performances en vedette
2
Biographie
Gianluca Martinenghi studied piano with Piero Rattalino and composition with Bruno Bettinelli. He began studying conducting with Donato Renzetti and Giacomo Zani, collaborating for the direction of youth orchestras. He also began to develop his career as a musicologist, writing essays specifically about the piano for magazines such as Musica, Symphonia and Piano Time. At the same time he embarked on a career in the theatre, beginning at Teatro Regio di Torino where he worked as head of music, which enabled him to familiarise himself with the operatic repertory, assisting highly respected musicians such as Gianandrea Gavazzeni and Yuri Ahronovitch. Then for several years he worked at Teatro Massimo di Palermo, holding senior positions from 1997 onwards in the realm of artistic direction a
