Kommende forestillinger I dag og frem
Tidligere forestillinger 2018 – i går
Beethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline
Se medvirkende og produktionsholdFlorencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
Se medvirkende og produktionsholdCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
Se program, medvirkende og produktionsholdA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
Se program, medvirkende og produktionsholdBeethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline
Se medvirkende og produktionsholdFlorencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
Se medvirkende og produktionsholdCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
Se program, medvirkende og produktionsholdFidelio, Beethoven
Gran Teatre del LiceuMarzelline
Se medvirkende og produktionsholdFidelio, Beethoven
LA PhilMarzelline
Se medvirkende og produktionsholdAinadamar, Golijov
The Metropolitan OperaMargarita Xirgu (Young Margarita)
Se medvirkende og produktionsholdons.19:00
New York City, United StatesLa Bohème, Puccini
The Metropolitan OperaMimì (Mimi)
Se medvirkende og produktionsholdlør.12:30
New York City, United StatesLa Bohème, Puccini
Lyric Opera of ChicagoMusetta
Se medvirkende og produktionsholdlør.19:30
Chicago, United Statesons.14:00
Chicago, United Stateslør.19:30
Chicago, United Statestirs.19:00
Chicago, United Statesfre.19:00
Chicago, United StatesWith a voice described as “firm” and “lusciously coloured” by Opera News and chosen as one of WQXR’s ’20 for 20′ Artists to Watch, soprano Gabriella Reyes is a rising star on the operatic stage. Currently in her final year of the Metropolitan Opera’s Lindemann Young Artist Development Program, Gabriella will appear with the company this season as Liù Turandot and First Lady The Magic Flute. Other highlights include Cio-Cio San Seven Deaths of Maria Callas with the Bayerische Staatsoper, Munich, and Behzad Ranjbaran’s Songs of Eternity with the Montclair Orchestra and David Chan. Highlights of last season include Nella Gianna Schicchi and the High Priestess Aida for the Metropolitan Opera, the latter of which was described as “hair-raising” by the New York Classical Review. Gabriella also