Krediti ta' prestazzjoni
Prestazzjonijiet Passat 2002 — Ilbieraħ
Árias de Ópera, MozartVilla-LobosRipperBocchinoPucciniVerdiSchumann
Centro Cultural Teatro GuaíraSoloist
Ara programm, cast u ekwipaġġDie Fledermaus (The Bat), Strauss II
Orquestra Sinfônica de Porto Alegre (OSPA)Rosalinde
Ara l-cast u l-ekwipaġġLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theatro Municipal de São PauloFata Morgana
Ara l-cast u l-ekwipaġġLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera WrocławskaLa Contessa di Almaviva (The Countess of Almaviva)
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Die Fledermaus (The Bat), Strauss II
Orquestra Sinfônica de Porto Alegre (OSPA)Rosalinde
Ara l-cast u l-ekwipaġġ
Lyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theatro Municipal de São PauloFata Morgana
Ara l-cast u l-ekwipaġġ
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opera WrocławskaLa Contessa di Almaviva (The Countess of Almaviva)
Ara l-cast u l-ekwipaġġ
La clemenza di Tito (The Clemency of Titus), Mozart
Theatro São PedroVitellia
Ara l-cast u l-ekwipaġġ
Bijografija
Gabriella Pace has twice won the Carlos Gomes Prize for ‘Best Female Singer’ in Brazil. She started her music and vocal studies with her father, Héctor Pace, and later studied with Leilah Farah in São Paulo and Pier Miranda Ferraro in Milan. She has worked with distinguished conductors, including Lorin Maazel, Fabio Mechetti, Isaac Karabtchevsky, Ira Levin, John Neschling, Rodolfo Fischer and Roberto Minczuk. Her operatic rôles include Tytania in Britten’s A Midsummer Night’s Dream, Ilia in Idomeneo, Pamina in Die Zauberflöte, Susanna in Le nozze di Figaro, Euridice in Orfeo ed Euridice, Giulietta in I Capuleti e i Montecchi, Adina in L’elisir d’amore, and Norina in Don Pasquale. She has also appeared as a soloist in Mahler’s Fourth Symphony, Beethoven’s Ninth Symphony, Orff’s Carmina Bura
