Stage director

Fanny Ardant

Artist

Approved

2023

2021

2019

2017

2014

2008

2006

2005

2003

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Mezzo-soprano

Singer

Contralto

Bass-baritone

Countertenor

Soprano

Baritone

Tenor

Bass

Spoken

Child vocalist

Silent

Alto

"The Satin Shoe"

"The subject of Le Soulier de satin is that of the Chinese legend of the two stellar lovers who, each year, after long wanderings, manage to confront each other, without ever being able to meet, on one side and on the other. of the Milky Way", summed up Paul Claudel. The play, whose power of attraction has never been denied, occupies a special place in the theatrical repertoire of the 20th century: written between 1919 and 1924, it was created by Jean-Louis Barrault in 1943 in an abridged version and had to wait for Antoine Vitez to be played in its entirety: the show given in the courtyard of the Palais des Papes in 1987 lasted more than ten hours and marked a whole generation of spectators, including Marc-André Dalbavie. Subtitled The worst is not always certain, Le Soulier de satin is an immense parable alternating between the sublime, the comic and the disturbing, deployed in an era – the Spanish Golden Age – when humanity is experiencing a first “globalization”. Confronting the passionate desire for individual happiness, the injunction of the external imperative and the aspiration to the universal, the work installs the spectator between hypnosis and joy for several hours. This new opera is the third of the world premieres commissioned by the Paris Opera making up the cycle on French literature.https://www.operadeparis.fr/saison-20...

Fanny Ardant

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