Fabienne Conrad
Créditos do espetáculo
Apresentações anteriores 2012 — Ontem
Ave Maria, D.839, Schubert
Ave Maria, Gounod
Ave maria, Caccini, G.
La Traviata (La traviata), Verdi
Sainte Chapelle de Paris Opera FestivalSoloist + 1 funções
Veja programa, elenco e equipe« Tous les visages de l’amour », Concert de clôture, Various
Sainte Chapelle de Paris Opera FestivalSoprano
Veja elenco e equipeCarte Blanche to Jakub Jozef Orlinski, Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipeMarina Viotti & Gabriel Bianco « Porque existe otro querer », Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipe« No(s) Dames », hommage dégenré aux héroïnes d’opéra, Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipe« Rois et démons : voix graves sous les voûtes », Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipeApresentações anteriores em destaque
Ave Maria, D.839, Schubert
Ave Maria, Gounod
Ave maria, Caccini, G.
La Traviata (La traviata), Verdi
Sainte Chapelle de Paris Opera FestivalSoloist + 1 funções
Veja programa, elenco e equipe
« Tous les visages de l’amour », Concert de clôture, Various
Sainte Chapelle de Paris Opera FestivalSoprano
Veja elenco e equipe
Carte Blanche to Jakub Jozef Orlinski, Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipe
« No(s) Dames », hommage dégenré aux héroïnes d’opéra, Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipe
« Rois et démons : voix graves sous les voûtes », Various
Sainte Chapelle de Paris Opera FestivalArtistic Director
Veja elenco e equipe
Biografia
It was her debut as Violetta in La Traviata at the Rouen opera House in 2012 that revealed the young soprano to the French public and attracted the attention of the music press. Critics praises "an exceptional singer with a real gift for interpretation", "pianissimi reminiscent of Montserrat Caballe" and announces "a discovery. A promising talent for the great operatic heroines ”. “Fascinating. " Much acclaimed for her "tremendous stage presence" and her "capacity to express emotions using shadows, colors, pianissimi and musical nuances", she rapidly went on to play roles like the Countess ( le Nozze di Figaro ), Juliet ( Romeo and Juliet ) , Mimi ( La Bohème ), Marguerite ( Faust ), Micaëla ( Carmen ), Donna Anna ( Don Giovanni ) or Verdi's Requiem that she has performed on numerous occ
