Soprano

Emily Bradley

Artist

Approved

2020

2019

2018

2017

2016

Individual contributor id

include virtual contributors

Bajo

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor(a)

Director(a) orquestal

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Barítono

Singer

Contralto

Bajobarítono

Tenor

Mezzosoprano

Contratenor

Hablado

Vocalista infantil

Silencio

Alto

Continuo

The successes of the writing team Gilbert and Sullivan refute the prejudice that British humor cannot be exported. Their love of satire, their musical wit and their courage in nonsense make the British team's comedies a wonderful pleasure to this day. This also and especially applies to the musical grotesque "Pirates of Penzance", in which one meets pirates on Cornwall's coast who, due to a strange bureaucratic nobility, cannot attack orphans; a squad of cops valiantly fighting their instinct to flee; and a motley crew of senior daughters having the adventure of a lifetime -- a through-ball for director Christian Brey ("Bank Robbery Comedy," "The Legend of Georgia McBride"). Musical direction: Guido Johannes Rumstadt | Director: Christian Brey | With the Nuremberg State Philharmonic | Stage/Costumes: Anette Hachmann | Choreography: Kati Farkas | Light: Kai Luczak | Video: Boris Brinkmann | Conductor: Tarmo Vaask | Dramaturgy: Wiebke Hetmanek

Emily Bradley

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