Kommende forestillinger I dag og frem
Tidligere forestillinger 2010 – i går
Lyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Se medvirkende og produktionsholdHänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Se medvirkende og produktionshold-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Se medvirkende og produktionsholdDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Se medvirkende og produktionsholdDie Blume von Hawaii (The Flower of Hawaii), Abraham
Theater MagdeburgBessie
Se medvirkende og produktionshold-
Juditha Triumphans (Judith Triumphant), Vivaldi
Innsbrucker Festwochen der Alten MusikAbra
Se medvirkende og produktionsholdLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Se medvirkende og produktionsholdHänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Se medvirkende og produktionshold-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Se medvirkende og produktionsholdDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Se medvirkende og produktionsholdDie Blume von Hawaii (The Flower of Hawaii), Abraham
Theater MagdeburgBessie
Se medvirkende og produktionshold-
Le nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Se medvirkende og produktionsholdSieg der Schönheit (Victory of Beauty), Telemann
Theater MagdeburgMelite
Se medvirkende og produktionsholdDer kleine Prinz, Valtinoni
MusikTheater an der WienDer kleine Prinz
Se medvirkende og produktionsholdAnglo-French mezzo-Soprano Emilie Renard exploded onto the international performing scene by winning first prize in the 2013 Antonio Cesti Competition at the Innsbruck Festival. A Britten Pears Young Artist in 2010, Emilie Renard’s prowess as a recitalist was further demonstrated by her award of the Premier Prix de la Mélodie Française, at the 22nd Concours International de Chant de Marmande, where she also carried off the overall First Prize for Women’s Voices. Having already made her professional debut in Richard Jones’ famed production for English National Opera of Martinů’s Julietta, her repertoire embraces five centuries of music, from Amore in Monteverdi’s L’incoronazione di Poppea (“… a remarkably convincing teenage boy”) and Purcell’s Dido (“… the pure musical expression of a hear