Etenduse krediiti
Tulevased etendused Tänasest Edasi
Varasemad etendused 2014 – eile
Kammerkonzert VIII, SibeliusDvořákPulkkis
State Opera BerlinPiano + 1 rolli
Vaadake programmi, näitlejaid ja meeskondaKammerkonzert IV, DvořákMatthusGershwin
State Opera BerlinPiano + 1 rolli
Vaadake programmi, näitlejaid ja meeskondaBläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Vaadake programmi, näitlejaid ja meeskondaMuseumskonzert VIII, SchumannChopinDeslandresCapletPovolotsky
State Opera BerlinPiano + 1 rolli
Vaadake programmi, näitlejaid ja meeskondaCarl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Vaadake näitlejaid ja meeskondaEsiletõstetud varasemad esinemised
Bläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Vaadake programmi, näitlejaid ja meeskonda
Carl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Vaadake näitlejaid ja meeskondaTulevased etendused
7Kammerkonzert II, ShostakovichJuon, P.Gershwin
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Vaadake programmi, näitlejaid ja meeskondaKammerkonzert IV, MozartReicha, A.Foerster, J. B.LigetiPovolotsky
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Vaadake programmi, näitlejaid ja meeskondaBiograafia
Elisaveta Blumina, the artistic director of the Hamburg Chamber Music Festival and the "Berliner Endeckungen" association, is considered an outstanding representative of an entire generation of pianists, and not just since she was awarded the Echo Prize. The pianist Elisaveta Blumina is a multi-talent. As a child, she aspired to a career as a prima ballerina, learned to play the piano in the tradition of the great Heinrich Neuhaus and, at the same time, learned to paint. At the age of 12 she was accepted at the art school of the museum "Eremitage" and studied art history there for five years. Since her childhood, Elisaveta Blumina has associated tones and sounds with colours. When making music, she therefore always has colours in mind, and she experiences tonal harmonies or dissonances (li
