Forestilling krediteringer
Kommende forestillinger I dag og frem
Tidligere forestillinger 2014 – i går
Kammerkonzert VIII, SibeliusDvořákPulkkis
State Opera BerlinPiano + 1 roller
Se program, medvirkende og produktionsholdKammerkonzert IV, DvořákMatthusGershwin
State Opera BerlinPiano + 1 roller
Se program, medvirkende og produktionsholdBläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Se program, medvirkende og produktionsholdMuseumskonzert VIII, SchumannChopinDeslandresCapletPovolotsky
State Opera BerlinPiano + 1 roller
Se program, medvirkende og produktionsholdCarl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Se medvirkende og produktionsholdFremhævede tidligere præstationer
Bläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Se program, medvirkende og produktionshold
Carl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Se medvirkende og produktionsholdKommende forestillinger
7Kammerkonzert II, ShostakovichJuon, P.Gershwin
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Se program, medvirkende og produktionsholdKammerkonzert IV, MozartReicha, A.Foerster, J. B.LigetiPovolotsky
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Se program, medvirkende og produktionsholdBiografi
Elisaveta Blumina, the artistic director of the Hamburg Chamber Music Festival and the "Berliner Endeckungen" association, is considered an outstanding representative of an entire generation of pianists, and not just since she was awarded the Echo Prize. The pianist Elisaveta Blumina is a multi-talent. As a child, she aspired to a career as a prima ballerina, learned to play the piano in the tradition of the great Heinrich Neuhaus and, at the same time, learned to paint. At the age of 12 she was accepted at the art school of the museum "Eremitage" and studied art history there for five years. Since her childhood, Elisaveta Blumina has associated tones and sounds with colours. When making music, she therefore always has colours in mind, and she experiences tonal harmonies or dissonances (li
