Предстоящи изпълнения Днес нататък
Минали изпълнения 2014 — Вчера
Kammerkonzert VIII, SibeliusDvořákPulkkis
State Opera BerlinPiano + 1 роли
Вижте програмата, актьорите и екипаKammerkonzert IV, DvořákMatthusGershwin
State Opera BerlinPiano + 1 роли
Вижте програмата, актьорите и екипаBläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Вижте програмата, актьорите и екипаMuseumskonzert VIII, SchumannChopinDeslandresCapletPovolotsky
State Opera BerlinPiano + 1 роли
Вижте програмата, актьорите и екипаCarl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Преглед на артистите и постановъчната трупаBläserensemble der Staatskapelle Berlin / Elisaveta Blumina / Gregor Witt, StraussGershwin
Elbphilharmonie & Laeiszhalle HamburgPiano
Вижте програмата, актьорите и екипаCarl-Philipp-Emanuel Bach-Chor Hamburg / Elisaveta Blumina / Christian Gerhaher, Various
Elbphilharmonie & Laeiszhalle HamburgPianist
Преглед на артистите и постановъчната трупаKammerkonzert II, ShostakovichJuon, P.Gershwin
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Вижте програмата, актьорите и екипаKammerkonzert IV, MozartReicha, A.Foerster, J. B.LigetiPovolotsky
Staatsoper Unter den Linden ( State Opera Berlin )Piano
Вижте програмата, актьорите и екипаElisaveta Blumina, the artistic director of the Hamburg Chamber Music Festival and the "Berliner Endeckungen" association, is considered an outstanding representative of an entire generation of pianists, and not just since she was awarded the Echo Prize. The pianist Elisaveta Blumina is a multi-talent. As a child, she aspired to a career as a prima ballerina, learned to play the piano in the tradition of the great Heinrich Neuhaus and, at the same time, learned to paint. At the age of 12 she was accepted at the art school of the museum "Eremitage" and studied art history there for five years. Since her childhood, Elisaveta Blumina has associated tones and sounds with colours. When making music, she therefore always has colours in mind, and she experiences tonal harmonies or dissonances (li