Past Production Reviews
9retrata al déspota Macbeth , interpretado por Juan Orozco en un barítono poderoso pero también expresivamente multicolor , como impulsado , sobre todo por los jóvenes zeigt den Despoten Macbeth, den Juan Orozco mit mächtigem, doch auch ausdrucksvoll vielfarbigem Bariton gibt, als Getriebenen – nicht zuletzt von den jugendlichen,
El mexicano Juan Orozco no solo tiene formato Macbeth en su porte, sino también vocalmente. Como dama a su lado, la chilena Roxana Herrera Díaz es una intérprete y vocalista Der Mexikaner Juan Orozco hat nicht nur in seinem Habitus, sondern auch stimmlich Macbeth-Format. Die Chilenin Roxana Herrera Diaz ist als Lady an seiner Seite eine darstellerisch und vokal eindrucksvolle Erscheinung, auch wenn sie davor
The fact that the ensemble of the Theater Freiburg has been acting at the highest level, especially in terms of vocals, is impressively demonstrated by this production. In addition to the main actors Butterfly and Benjamin F. Pinkterton, sung and played by Irina Jae Eun Park and Joshua Kohl, especially the Characters by Suzuki and Sharpless, who are portrayed more than formidably by Inga Schäfer and Anja Jung as well as John Carpenter. Through their impressive acting and musical achievements, the dramaturgy, which becomes more and more overwhelming in the course of the play, is made even more tangible. (...) " Madama Butterfly" manages in an impressive way to captivate the audience with a current topic and showsthat a form of theater that is difficult to access, especially for young audiences, can be made accessible.
A butterfly has four lives – or rather stages of development. The last two are certainly the most exciting: the chrysalis and chrysalis and the brief existence as a moth. It is only at this stage that we really perceive him in his beauty paired with vulnerability. Like the US naval officer Benjamin F. Pinkerton in Giacomo Puccini's opera "Madama Butterfly", who, impressed by the exoticism and beauty of the title character, "bought" it like a toy, like a doll, in order to relax after a few pleasant hours turn away from her. Without knowing that this "pairing" was not without consequences. Why should he be more interested in this butterfly? Puccini's opera does that. And that is the reason why it has touched us so deeply and painfully ever since the triumph of its revised version in 1904. Because she lets you empathize with the title character and shows insistently what a lack of respect can trigger.
It's a really great evening at the opera! ... Joshua Kohl is a vocally sovereign partner of the Mainguené. ... Under conductor Ektoras Tartanis, the colors change perfectly into one another. Directed by Peter Carp, perfectly synchronized with the actions on stage or vice versa , the actions have been set to the music. The Freiburg theater awaits ... with a complete and well-rounded opera experience.
