Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2013 — Ilbieraħ
L'Amant anonyme (L'Amant Anonyme), Bologne Chevalier De Saint-Georges
Boston Lyric OperaLighting designer
Ara l-cast u l-ekwipaġġThe Nutcracker, op. 71, Tchaikovsky, P. I.
Jacobs School of Music (Indiana University)Lighting designer
Ara l-cast u l-ekwipaġġHänsel und Gretel (Hansel and Gretel), Humperdinck
Opera San AntonioLighting designer
Ara l-cast u l-ekwipaġġDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Teatro Comunale di BolognaVideo designer
Ara l-cast u l-ekwipaġġLa Fille du régiment (The Daughter of the Regiment), Donizetti
Utah OperaLighting designer
Ara l-cast u l-ekwipaġġL'Amant anonyme (L'Amant Anonyme), Bologne Chevalier De Saint-Georges
Boston Lyric OperaLighting designer
Ara l-cast u l-ekwipaġġThe Nutcracker, op. 71, Tchaikovsky, P. I.
Jacobs School of Music (Indiana University)Lighting designer
Ara l-cast u l-ekwipaġġHänsel und Gretel (Hansel and Gretel), Humperdinck
Opera San AntonioLighting designer
Ara l-cast u l-ekwipaġġLa Fille du régiment (The Daughter of the Regiment), Donizetti
Utah OperaLighting designer
Ara l-cast u l-ekwipaġġAida, Verdi
Oper im SteinbruchLighting designer
Ara l-cast u l-ekwipaġġErb20:30
St Margarethen, AustriaĦam20:30
St Margarethen, AustriaĠim20:30
St Margarethen, AustriaSib20:30
St Margarethen, AustriaĦam20:30
St Margarethen, AustriaĠim20:30
St Margarethen, AustriaSib20:30
St Margarethen, AustriaĦad20:30
St Margarethen, AustriaĦam20:30
St Margarethen, AustriaĠim20:30
St Margarethen, AustriaDriscoll is a lighting and projection designer in New York City. Originally from Texas, Driscoll has been in new york for a decade and a half working with some of the best theatre and opera artists in the world. Driscoll recently designed the projections for The Golden Cockerel at Santa Fe Opera. In 2015 Driscoll had his Metropolitan Opera debut with La Donna del Lago. Other venues in NYC include Ars Nova, The Mint, The Ohio, La Mamma, Lincoln Center Jazz, & Gotham Chamber Opera. Driscoll’s work is seen frequently in regional opera & theatre. In 2015 Driscoll designed the lighting for The Colored Museum at The Huntington Theater Company, projections for Next to Normal at Baltimore’s Center Stage, and lighting for The Barber of Seville at Philadelphia Opera. Other companies that Driscoll h