Forestilling krediteringer
Kommende forestillinger I dag og frem
Tidligere forestillinger 2006 – i går
5. Kammerkonzert: Chants D'auvergne, Vaughan WilliamsMertens, H.SchumannRavelCanteloube
Wuppertaler BühnenVoice + 2 roller
Se program, medvirkende og produktionsholdDer Freischütz, op. 77 (The Marksman), Von Weber
Theater HagenÄnnchen
Se medvirkende og produktionshold-
A Room of One’s Own, Tarkiainen
A kékszakállú herceg vára (Bluebeard's Castle), Bartók
Savonlinna Opera FestivalMARY BETON
Se program, medvirkende og produktionsholdFremhævede tidligere præstationer
5. Kammerkonzert: Chants D'auvergne, Vaughan WilliamsMertens, H.SchumannRavelCanteloube
Wuppertaler BühnenVoice + 2 roller
Se program, medvirkende og produktionshold
Der Freischütz, op. 77 (The Marksman), Von Weber
Theater HagenÄnnchen
Se medvirkende og produktionshold-
A Room of One’s Own, Tarkiainen
A kékszakállú herceg vára (Bluebeard's Castle), Bartók
Savonlinna Opera FestivalMARY BETON
Se program, medvirkende og produktionsholdKommende forestillinger
17Großes jubiläumskonzert: die Wuppertaler Kurrende feiert 100. geburtstag, Bach, J. S.Mendelssohn
Historische StadthalleSopran I (Soprano I)
Se program, medvirkende og produktionsholdMusikalische kaffeetafel: weibersachen, Various
Historische StadthalleSoloist
Se medvirkende og produktionsholdCarmen, Bizet
Theater HagenMicaëla (Michaela)
Se medvirkende og produktionsholdlør.19:30
Hagen, Germanyfre.19:30
Hagen, GermanyIn Terra Pax, MartinMendelssohn
Kölner PhilharmonieSoprano
Se program, medvirkende og produktionsholdCarmen, Bizet
Theater HagenMicaëla (Michaela)
Se medvirkende og produktionsholdsøn.18:00
Hagen, Germanytors.19:30
Hagen, Germanyons.19:30
Hagen, Germanylør.19:30
Hagen, GermanyFauré Requiem, HoneggerFauré
Wuppertaler Bühnen und Sinfonieorchester GmbHSoprano (soprano)
Se program, medvirkende og produktionshold
Biografi
It fascinates me to express feelings with my voice and to touch people deep inside. That's why I like working with directors and conductors who take the text seriously. Who fathom the depth of a character. It almost doesn't matter whether it's new or old music, great classics or small chamber works, opera or oratorio - the main thing is that the music tells me something. Trying out different styles and pieces of music was important to me even during my studies. Fortunately, Prof. Yaron Windmüller at the Saarbrücken University of Music encouraged me to do this and always gave me good advice. Prizes from the Zonta-Club Saarbrücken, Richard-Wagner-Verband, as a finalist at Schubert and Moderne Graz and the nomination for Young Singer of the Year in the Opernwelt encouraged me in my course.
