Cruger Village

United States

New York

Dutchess

Annandale-on-Hudson

Website

website

wikipedia

Email

email

Phone number

phone

Annandale-on-Hudson, United States

Bard Festival Chorale

Bard Summerscape

Fisher Center at Bard

Choir / Chorus

Approved

2024

2023

2022

2021

2016

2014

2004

Organization contributor ID

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baritone

Singer

Bass

Countertenor

Bass-baritone

Mezzo-soprano

Contralto

Soprano

Tenor

Spoken

Child vocalist

Silent

Alto

Dating from the composer’s late creative period, Antonín Dvořák’s Requiem mystifyingly remains a rarity in his impressive oeuvre. It is nowhere near as well known, or as frequently performed, as the composer’s late symphonies, chamber works, or other choral works, such as his Stabat Mater, from this period. Closer to Fauré’s or Cherubini’s contributions to the genre than the overt theatricality of Verdi’s and Berlioz’s requiems, Dvořák’s own requiem is often serene and introspective in mood, with gentle melodies and noble lyricism. There are, nevertheless, countless moments of spontaneous expression and pure inspiration that could only stem from Dvořák’s pen, like the intense chromaticism in “Pie Jesu” or the sheer drama of chosen moments, such as the “Agnus Dei,” with its diaphanous close. The use of a four-note chromatic motif, present in almost all sections of the piece, gives the work a satisfying feel of thematic unity. While rich in invention and expressivity, it is its tender, melancholic examination of the mysteries of life and death that ultimately make this requiem so deserving of further exploration in the public sphere—far more than it has received up to now.

Requiem, Op.89 Dvořák

Bard Festival Chorale

Sezoane

Spectacole viitoare

Videoclipuri de performanță prezentate

Organizații asociate

Contact

Explorați Operabase