Cruger Village

Verenigde Staten

New York

Dutchess

Annandale-on-Hudson

Website

website

wikipedia

Email

email

Phone number

phone

Annandale-on-Hudson, Verenigde Staten

Bard Festival Chorale

Bard Summerscape

Fisher Center at Bard

Koor

Approved

2024

2023

2022

2021

2016

2014

2004

Organization contributor ID

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Dirigent

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor meester

Kostuum ontwerper

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Regisseur

Répétiteur

Set designer

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Zanger

Bass-baritone

Tenor

Mezzo-soprano

Soprano

Countertenor

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Dating from the composer’s late creative period, Antonín Dvořák’s Requiem mystifyingly remains a rarity in his impressive oeuvre. It is nowhere near as well known, or as frequently performed, as the composer’s late symphonies, chamber works, or other choral works, such as his Stabat Mater, from this period. Closer to Fauré’s or Cherubini’s contributions to the genre than the overt theatricality of Verdi’s and Berlioz’s requiems, Dvořák’s own requiem is often serene and introspective in mood, with gentle melodies and noble lyricism. There are, nevertheless, countless moments of spontaneous expression and pure inspiration that could only stem from Dvořák’s pen, like the intense chromaticism in “Pie Jesu” or the sheer drama of chosen moments, such as the “Agnus Dei,” with its diaphanous close. The use of a four-note chromatic motif, present in almost all sections of the piece, gives the work a satisfying feel of thematic unity. While rich in invention and expressivity, it is its tender, melancholic examination of the mysteries of life and death that ultimately make this requiem so deserving of further exploration in the public sphere—far more than it has received up to now.

Requiem, Op.89 Dvořák

Bard Festival Chorale

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