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Beethoven Symphony No. 9, Beethoven
National Forum of Musicsoprano + 1 roller
Se program, medvirkende og produktionsholdDie ersten Menschen (The first humans, opera in two acts), Stephan, R.
Teatro Arriaga BilbaoChawa
Se medvirkende og produktionsholdDie Csárdásfürstin (The Gypsy Princess), Kálmán
Opernhaus ZürichSylva Varescu
Se medvirkende og produktionshold-
Kát'a Kabanová (Katya Kabanova), Janáček
Staatsoper StuttgartKáťa Kabanová (Katya)
Se medvirkende og produktionsholdFremhævede tidligere præstationer
Beethoven Symphony No. 9, Beethoven
National Forum of Musicsoprano + 1 roller
Se program, medvirkende og produktionshold
Die ersten Menschen (The first humans, opera in two acts), Stephan, R.
Teatro Arriaga BilbaoChawa
Se medvirkende og produktionshold
Die Csárdásfürstin (The Gypsy Princess), Kálmán
Opernhaus ZürichSylva Varescu
Se medvirkende og produktionshold
-
Kommende forestillinger
23Die Dubarry (The Dubarry), Millöcker
Volksoper WienJeanne Beçu
Se medvirkende og produktionsholdsøn.16:30
Vienna, AustriaAnnettes Daschsalon: Europa! Der Meister-salon, Various
Alte Oper FrankfurtSoprano
Se medvirkende og produktionsholdDie Dubarry (The Dubarry), Millöcker
Volksoper WienJeanne Beçu
Se medvirkende og produktionsholdons.19:00
Vienna, AustriaEröffnungskonzert: "Träume!", Schubert
Oper GrazAlma, Milch-Sheriff
Volksoper WienAlma Mahler-Gropius-Werfel (Schindler)
Se medvirkende og produktionsholdlør.19:00
Vienna, AustriaDie ersten Menschen (The first humans, opera in two acts), Stephan, R.
Dutch National Opera & BalletChawa
Se medvirkende og produktionshold
Biografi
One of today’s leading sopranos, Annette Dasch regularly appears at the most important international opera houses and festivals. As Jenny in Rise and Fall of the city of Mahagonny at Festival d ‚Aix-en-Provence as well as Elsa in Lohengrin at Bayreuth Festival, replacing Anna Netrebko, German soprano could celebrate major personal successes in summer 2019. Her engagements for the 2020/21 season include Csardasfürstin at the Zurich Opera, her role debut as Alice in Verdi’s Falstaff at the Deutsche Oper Berlin, a gala concert and the Rosalinde in performances of Fledermaus at Semperoper Dresden and the new production of the Merry Widow the Nederlandse Opera Amsterdam. In addition to the Daschsalon in the Alte Oper Frankfurt, concerts lead Annette Dasch to the Laeiszhalle Hamburg, together w
