Contralto

Amy Williamson

Artist

Approved

2015

2014

Individual contributor id

include virtual contributors

Bajo

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor(a)

Director(a) orquestal

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Mezzosoprano

Barítono

Contratenor

Soprano

Bajobarítono

Hablado

Vocalista infantil

Silencio

Alto

Continuo

Act II. Albert Herring (Nick Pritchard) has finally mustered up the courage to thank Lady Billows (Janis Kelly) and the other village elders for electing him May King. Mr Gedge (Julien Van Mellaerts) proposes a toast, and Albert downs his glass of lemonade. Unbeknownst to him, it’s spiked with rum, and it gives him the hiccups.

The Royal College of Music’s production of Albert Herring is directed by Liam Steel and conducted by Michael Rosewell.

Amy Williamson

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