Name: Z mrtvého domu
Start: 2018-10-19T00:00:00.000Z
End: 2018-10-26T00:00:00.000Z
Location: Nationaltheater

Organization

Cantante

Barítono

Peter Rose

Alexandr Petrovič Gorjančikov

Soprano

Evgeniya Sotnikova

Aljeja

Tenor

Aleš Briscein

Filka Morozov

Charles Workman

Skuratov

Manuel Günther

Un prisionero grande

Tim Kuypers

Un prisionero pequeño

Christian Rieger

El comandante

Ulrich Reß

Un prisionero muy viejo

Bajo

Milan Siljanov

Čekunov

Galeano Salas

Opilý vězeň

Oğulcan Yılmaz

Kuchař

Oleksandr Milev

Kovář

Peter Lobert

Kněz

Mezzosoprano

Niamh O'Sullivan

Poběhlice

Callum Thorpe

Dom Juan

Matthew Grills

Vězeň Kedrila

Kevin Conners

Šapkin

Bo Skovhus

Siskov

Dean Power

Čerevin

Long Long

První stráž

Director(a) orquestal

Simone Young

Escenógrafo(a)

Aleksandar Denić

Diseñador(a) de vestuario/Figurinista

Adriana Braga Peretzki

Diseñador(a) de video

Andreas Deinert

Jens Crull

Diseñador(a) de iluminación

Rainer Casper

Director(a) coral

Sören Eckhoff

Dramaturgia

Miron Hakenbeck

Andy Sommer

Director(a) de escena

Frank Castorf

Bayerische Staatsoper

checo

Z mrtvého domu -  (Desde la casa de los muertos)

Múnich

Alemania

Nationaltheater

Mannheim

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich.

Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Programa de mano

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