Name: Vienna Philharmonic · Andris Nelsons
Start: 2018-07-28T00:00:00.000Z
End: 2018-07-29T00:00:00.000Z
Location: Großes Festspielhaus

Organization

Zanger

Håkan Hardenberger

Trumpet

Soprano

Lucy Crowe

Sopraan

Contralto

Ekaterina Gubanova

Koor meester

Howard Arman

Dirigent

Andris Nelsons

Mezzo-soprano

Mezzosopraan

Salzburger Festspiele

Others

Chor des Bayerischen Rundfunks

Orchestra

Wiener Philharmoniker

Vienna Philharmonic · Andris Nelsons

Salzburg

Oostenrijk

Großes Festspielhaus

Passion: In music, this means first of all the report of the suffering and death of Jesus. But would any art be conceivable without passion, without burning passion? Suffering creates many things. It can be the goal – or a means to an end – of a theologically understood salvation, a general spiritual overcoming, a dissolution of boundaries. Suffering can also mobilize creative powers and become the starting point for new artistic deeds.
This time, the Ouverture spiritual brings together works that make what has been endured tangible, what has been lived through, what has been suffered, what has been obsessively negotiated. Some even demands extreme contemplation, often close to suffering, from the performers - and the audience is not spared unexpected experiences on sounding crossroads. As already intended by the Greek tragedy, lamentation and shuddering may lead to catharsis, to spiritual purification.
Penderecki's monumental St. Luke Passion marks the beginning. It builds bridges to the Renaissance, to the Holy Week eclipse; to the Baroque, to Biber and to Bach's Mass in B minor; to classical music, to Mozart and to Beethoven's Christ on the Mount of Olives; to Romanticism, to Liszt's enigmatic late work Via crucis. And into the 20th century – to Galina Ustvolskaja, in whose music suffering and passion come together in an exemplary manner. Important works of film history, such as Pier Paolo Pasolini's Il Vangelo secondo Matteo, reflect the theme in their own way. Alessandro Stradella's San Giovanni Battista forms a baroque counterpart to Strauss' Salome. The last evening combines all the passions once again - with Bernd Alois Zimmermann's trumpet concerto Nobody knows de trouble I see, which rebels against racism, and Mahler's second, the "Resurrection Symphony":

***

PROGRAM

Bernd Alois Zimmermann: Nobody knows de trouble I see.
Concerto for trumpet and orchestra

Gustav Mahler: Symphony No. 2 in C minor – “Resurrection”

Overture spiritual - Andris Nelsons conducts Zimmermann and Mahler: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Kostuum ontwerper

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Regisseur

Répétiteur

Set designer

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Baritone

Bass-baritone

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Vienna Philharmonic · Andris Nelsons by Various, Van (2018/2018), Dirigent Andris Nelsons, Großes Festspielhaus, Salzburg, Oostenrijk

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties