Name: Vienna Philharmonic
Start: 2024-06-24T00:00:00.000Z
End: 2024-06-24T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Direzione d'orchestra

Lorenzo Viotti

Orchestra

Wiener Philharmoniker

Vienna Philharmonic

Siviglia

Spagna

Teatro de la Maestranza

Sala Principal

Public

concert form

Concerto

Capriccio spagnolo, Op. 34

L'isola dei morti, poema sinfonico op. 29

Sinfonia n. 7 in re minore, op. 70

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Cantante

Mezzosoprano

Controtenore

Contralto

Basso-baritono

Baritono

Tenore

Soprano

Alto

Mimi

Narrazione

Voce bianca

Vienna Philharmonic: Concert Various

La historia de la música clásica, además de la de sus compositores, también es la historia de sus intérpretes. Pues sin ellos, solo hay partituras impresas. Silencio. Hay solistas, y por supuesto formaciones sinfónicas o barrocas, que han marcado el curso del sonido hasta alcanzar tal grado de perfección, emoción y de excelencia, que cualquier actuación suya tiene un plus de atractivo en sí misma, independientemente de las obras que aborden.

La Filarmónica de Viena es una de esas orquestas. Con una historia que se remonta a 1842, cuando Otto Nicolai formó lo que llamó una “Academia Filarmónica”, la formación ha sido pulida por titanes como Hans Richter, Gustav Mahler, Weingartner, Furtwängler, Clemens Krauss, por citar a algunos titulares.

“Es una de las más destacadas del mundo”, dijo ya de ella Richard Wagner. Y Richard Strauss atinó aún más: “Todo elogio de ella se convierte en un eufemismo”. De carácter privado, está vinculada a la Orquesta de la Ópera Estatal de Viena en una simbiosis que garantiza la independencia de los músicos y, por lo tanto, su alto nivel artístico.

Tan musculosa como sedosa, tan mórbida como dulce, escuchar a la Filarmónica de Viena, entrar en su fascinante y rico universo sonoro, constituye una experiencia en sí misma. En Sevilla, dirigida por Lorenzo Viotti, director de la Filarmónica de los Países Bajos y una de las jóvenes batutas que están triunfando en el mundo, la Filarmónica de Viena, en un programa ruso y eslavo, aborda La isla de los muertos, perturbador poema sinfónico de Serguéi Rachmaninov, de 1908, que retrata la personalidad angustiada del autor, el Capricho español de Rimski-Kórsakov, de 1887, inspirado por las melodías españolas que escuchó a lo largo de sus viajes como oficial de la Marina rusa y la Séptima Sinfonía de Antonin Dvořák, Op. 70, de 1885, una de sus obras más maduras y profundas.

español

The history of classical music, in addition to that of its composers, is also the history of its performers. Well, without them, there are only printed scores. Silence. There are soloists, and of course symphonic or baroque ensembles, who have marked the course of sound to such a degree of perfection, emotion and excellence that any performance by them is extra attractive in itself, regardless of the works they cover.

The Vienna Philharmonic is one such orchestra. With a history dating back to 1842, when Otto Nicolai formed what he called a "Philharmonic Academy," the lineup has been polished by such titans as Hans Richter, Gustav Mahler, Weingartner, Furtwängler, Clemens Krauss, to name a few headlines.

"It is one of the most outstanding in the world," Richard Wagner already said of her. And Richard Strauss was even more right: "All praise of her becomes an understatement." Of a private nature, it is linked to the Vienna State Opera Orchestra in a symbiosis that guarantees the independence of the musicians and, therefore, their high artistic level.

As muscular as it is silky, as soft as it is sweet, listening to the Vienna Philharmonic, entering its fascinating and rich sound universe, is an experience in itself. In Seville, directed by Lorenzo Viotti, director of the Netherlands Philharmonic and one of the young conductors that are succeeding in the world, the Vienna Philharmonic, in a Russian and Slavic program, tackles The Island of the Dead, a disturbing poem symphony by Sergei Rachmaninov, from 1908, which portrays the author's anguished personality, Rimsky-Korsakov's Capricho español , from 1887, inspired by the Spanish melodies he heard during his travels as an officer in the Russian Navy and the Seventh Symphonyby Antonin Dvořák, Op. 70, from 1885, one of his most mature and profound works.

English

Vienna Philharmonic by Rimsky-Korsakov, Rachmaninoff, Dvořák, Da (2024/2024), Direttore d'orchestra Lorenzo Viotti, Teatro de la Maestranza, Siviglia, Spagna

Crediti di rappresentazione (Cast e team di produzione )

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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