Name: Verdi
Start: 2024-02-24T00:00:00.000Z
End: 2024-02-25T00:00:00.000Z
Location: Isarphilharmonie

Organization

Conductor

Daniele Gatti

Mezzo-soprano

Okka von der Damerau

Tenor

Francesco Meli

Bass

Alex Esposito

Chorus master

Andreas Herrmann

Orchestra

Munich Philharmonic

Others

Philharmonischer Chor München

Gasteig

Soprano

Iulia Maria Dan

Verdi

Munich

Germany

Isarphilharmonie

Verdi: Messa da Requiem Verdi

Public

Requiem Mass

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Baritone

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

»Was ist Verdis beste Oper? – Sein Requiem.« In der ironischen Antwort auf die Frage verbirgt sich ein wahrer Kern. Denn mit seinen dramatischen und bisweilen theatralischen Passagen trägt Verdis »Messa da Requiem« durchaus opernhafte Züge – besonders im groß angelegten »Dies Irae«, das auch bei Klassik-Unkundigen durch die Verwendung in Filmen und Videospielen bekannt ist. 

Verdis eindringliche Darstellung des Jüngsten Gerichts gleicht einer apokalyptischen Höllenfahrt und lässt sich an Dramatik kaum überbieten. Neben dieser Schreckensvision stellt Verdi die Zuversicht auf Erlösung und ewige Ruhe in zarten, entrückten Klängen dar. Keimzelle des Werkes ist allerdings der Schlusssatz »Libera me«, der ursprünglich unter dem Eindruck des Todes von Gioachino Rossini entstanden war. Mit einem exquisiten Solisten-Quartett, darunter Fokus-Künstlerin OKKA VON DER DAMERAU, und dem für vokale Klangqualität garantierenden Philharmonischen Chor präsentiert Daniele Gatti Verdis »beste Oper« in der Isarphilharmonie.

Deutsch

Some would say that Verdi’s best opera is his Requiem. Although meant tongue-in-cheek, there is an element of truth in this. For with its dramatic, at times theatrical passages, Verdi’s Messa da Requiem has features more usually associated with opera. This goes especially for the grand Dies Irae, which is known beyond the classical music world through its use in films and video games.

Verdi’s emphatic portrayal of the Last Judgement resembles an apocalyptic journey to hell and can hardly be surpassed in its dramatic brunt. Alongside this vision of terror, Verdi, with delicate, rapturous sounds, depicts the assurance of redemption and eternal rest. The work’s nucleus, however, is the final movement, Libera me, which was originally written in commemoration of Gioachino Rossini, who had recently died. With an exquisite quartet of soloists, including Focus artist Okka von der Damerau, and the Philharmonic Choir guaranteeing vocal sound of the finest, Daniele Gatti presents Verdi’s “best opera” at the Isarphilharmonie.

English

Verdi by Verdi, Fra (2024/2024), Dirigent Daniele Gatti, Isarphilharmonie, Munich, Germany

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder