Name: Tristan und Isolde
Start: 2023-09-27T00:00:00.000Z
End: 2023-10-03T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Conductor

Henrik Nánási

Stage director

Allex Aguilera

Costume designer

Jesús Ruiz

Lighting designer

Luis Perdiguero

Singer

Tenor

Stuart Skelton

Tristan

Soprano

Elisabet Strid

Isolde

Mezzo-soprano

Agnieszka Rehlis

Brangaene

Baritone

Markus Eiche

Kurwenal

Bass

Albert Pesendorfer

King Mark

Jorge Rodríguez-Norton

Voice of a young sailor

Fernando Campero

Melot

Juan Antonio Sanabria

Timonel

Set designer

A shepherd

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Tristan und Isolde -  (Tristan and Isolde)

Seville

Spain

Teatro de la Maestranza

Sala Principal

Public

Tristan and Isolde

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Tristan und Isolde Wagner,Richard

El amor y la muerte, en una ópera metafísica

Inspirada en una leyenda medieval de origen celta, Tristán e Isolda no solo abanderó la vanguardia musical de su tiempo, llevando la tonalidad hacia un punto de no retorno, sino que, con su cromatismo, su inestabilidad armónica, su exacerbada voluptuosidad y su angustia orquestal -“música enferma”, la llamó el crítico Eduard Hanslick- constituye un símbolo de la victoria del sentimiento sobre la razón, arrastrándonos hacia el profundo misterio de la noche insondable, de un amor imposible que trasciende la vida y solo es realizable más allá de la muerte.

Cumbre del drama musical wagneriano, en el que la música, el texto y la acción escénica se funden en una continua unidad común, constituye una cima del romanticismo alemán sobre la que ronda la metafísica y gravita el descubrimiento de la filosofía de Arthur Schopenhauer, con su impacto sobre un Richard Wagner arrastrado por su pasión hacia Mathilde Wesendonck, inspiradora de esta obra y esposa de uno de sus mecenas.

El Teatro de la Maestranza estrena una nueva producción propia con dirección de escena del brasileño Allex Aguilera -quien ya puso en escena el Tristán con dirección musical de Zubin Mehta- con la ROSS en el foso dirigida por el húngaro Henrik Nánási. Stuart Skelton, Elisabet Strid y Agnieszka Rehlis lideran un apabullante reparto con el que este título esencial sobre el deseo, la sexualidad, el amor imposible y la muerte, retorna al escenario del Teatro de la Maestranza tras 14 años de ausencia.

Una de las más bellas y perturbadoras experiencias líricas que se pueden vivir en un teatro de ópera.

español

Love and death, in a metaphysical opera

Inspired by a medieval legend of Celtic origin, Tristan and Isolde not only championed the musical avant-garde of its time, taking tonality to a point of no return, but also, with its chromaticism, its harmonic instability, its exacerbated voluptuousness and its orchestral anguish -“sick music”, the critic Eduard Hanslick called it- constitutes a symbol of the victory of feeling over reason, dragging us towards the deep mystery of the unfathomable night, of an impossible love that transcends life and is only achievable beyond death.

Summit of the Wagnerian musical drama, in which music, text and stage action merge into a continuous common unit, it constitutes a peak of German romanticism on which metaphysics hovers and the discovery of the philosophy of Arthur Schopenhauer gravitates, with its impact on a Richard Wagner swept away by his passion for Mathilde Wesendonck, the inspirer of this work and the wife of one of his patrons.

The Teatro de la Maestranza premieres a new own production directed by the Brazilian Allex Aguilera -who already staged Tristán with musical direction by Zubin Mehta- with the ROSS in the pit directed by the Hungarian Henrik Nánási. Stuart Skelton, Elisabet Strid and Agnieszka Rehlis lead an overwhelming cast with which this essential title about desire, sexuality, impossible love and death returns to the stage of the Teatro de la Maestranza after 14 years of absence.

One of the most beautiful and disturbing lyrical experiences that can be lived in an opera house.

English

Tristan and Isolde by Wagner, Richard, Fra (2023/2023), Instrueret af Allex Aguilera,, Dirigent Henrik Nánási, Teatro de la Maestranza, Seville, Spain

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder