Name: Tosca
Start: 2021-11-26T00:00:00.000Z
End: 2021-11-28T00:00:00.000Z
Location: Teatro Cervantes

Organization

Singer

Tenor

Ramón Vargas

Mario Cavaradossi

Baritone

Kostas Smoriginas

Baron Scarpia

Fernando Latorre

The sacristan

Luis Pacetti

Spoletta

Bass

Cristian Díaz

Sciarrone

Stage director

Pier Francesco Maestrini

Conductor

Pedro Halffter

Chorus master

María del Mar Muñoz Varo

Luis López

Cesare Angelotti

Soprano

Lianna Haroutounian

Floria Tosca

Antonio Del Pino

Teatro Cervantes Malaga

Opéra de Tours

Others

Coro De ópera De Málaga

Orchestra

Orquesta Filarmónica de Málaga

Pueri Cantores Málaga

Tosca

Málaga

Spain

Teatro Cervantes

Tosca Puccini

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The fifth of Puccini’s twelve operas and one of his masterpieces marks an important transition in the evolution of the composer’s music.
His previous opera, La bohème, is the last portrait of the working classes’ misfortunes and broken dreams, whereas Tosca will be the return to the purest tragedy. Tosca was either acclaimed or rejected by critics. In contrast with the exquisiteness of the arias ‘Recondita armonia’, ‘Vissi d´arte’ and ‘E lucevan le stelle’, there is an excess of unnecessary brutality, jealousy, torture, lust, treason, extortion, execution on stage, a suicide; on the other hand,  the opera has a marked impressionist style, evident Wagnerian influence, particularly in the orchestration, an ideal structure, characters perfectly well built and extraordinarily well described by the music…For all these reasons and because the public is the one that determines the final verdict, Tosca’s success following the second performance was and is incombustible.
As Carlos Pujol wrote in his book 1900, Puccini “had converted a violent melodrama into a torrent of impassioned and tender melodies capable of moving his most recalcitrant enemies”.
The opera’s plot is of a political nature and the action takes place in a period of just twenty-four hours following Napoleon’s victory at the Battle of Marengo.

English

La quinta de las doce óperas de Puccini, además de una de las cimas de su producción musical, marca una transición importante en la evolución de la música del compositor. Si su anterior título, La bohème, es el último retrato de los estragos y sueños rotos de las clases obreras, Tosca supondrá el retorno a la más pura tragedia.
La crítica, como era habitual con las obras del compositor, se dividía entre el elogio y la reprobación. Frente a la exquisitez de las arias ‘Recondita armonia’, ‘Vissi d´arte’ y ‘E lucevan le stelle’, el exceso de brutalidad innecesaria, celos, tortura, lascivia, traición, chantaje, un fusilamiento en escena, un suicido… No obstante, por su marcado estilo impresionista, por su evidente influencia wagneriana, sobre todo en la orquestación, por su estructura ideal, por sus personajes perfectamente construidos y extraordinariamente descritos por la música… por esto, por todo y porque el público es el que dicta siempre el veredicto final, el éxito de Tosca a partir de la segunda representación fue y es incombustible.
En palabras del escritor Carlos Pujol, en su libro 1900, Puccini “había convertido un violento melodrama en un chorro de melodías apasionadas y tiernas capaz de conmover a sus enemigos más recalcitrantes”.
Su argumento es de corte político y la acción se desarrolla en apenas veinticuatro horas, tras la victoria napoleónica en la batalla de Marengo.

español

Tosca by Puccini, Fra (2021/2021), Instrueret af Pier Francesco Maestrini,, Dirigent Pedro Halffter, Teatro Cervantes, Málaga, Spain

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