Name: Tolomeo, re d'Egitto, HWV 25
Start: 1998-02-13T00:00:00.000Z
End: 1998-04-17T00:00:00.000Z
Location: Stadsschouwburg

Organization

Conductor

Paul Dombrecht

Stage director

Lindy Hume

Singer

Countertenor

Jonathan Peter Kenny

Tolomeo

Pascal Bertin

Soprano

Anne Cambier

Seleuce

Marie-Noëlle de Callataÿ

Elisa

Karolina Rüegg

Bass

Werner Van Mechelen

Araspe

Muziektheater Transparant

Orchestra

Il Fondamento

Tolomeo, re d'Egitto, HWV 25 -  (Ptolemy, King of Egypt, HWV 25)

Dordrecht

Netherlands

Schouwburg Kunstmin

Amsterdam

International Theater Amsterdam (Stadsschouwburg)

Ghent

Belgium

Vooruit

Hasselt

Cultuurcentrum

Antwerp

Bourla Schouwburg

Turnhout

De Warande

Brussels

KVS Brussel

Kortrijk

Schouwburg Kortrijk

Bruges

Stadsschouwburg

Tolomeo Händel

Public

Ptolemy, King of Egypt, HWV 25

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Mezzo-soprano

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Tolomeo, the dethroned king of Egypt, flees to Cyprus where he seeks anonymity and safety away from his mother Cleopatra.

Little does he know that both his faithful wife, Seleuce, and his brother Alessandro are looking for him. The disguised Tolomeo unwittingly becomes involved in the amorous and political ambitions of the royal brother and sister (Araspe and Elisa) who rule the island.

The journey from utter chaos to its happy ending tests this Egyptian's integrity, trust and love - but in the end, the triumphant Tolomeo regains his throne and his Seleuce. Against an exotic, quasi-historical background, a human story develops about desperate people - in love, in disguise, in exile. Handel's painfully honest musical descriptions express heartbreak, jealousy, ambition, loyalty and true love. Five people are delicately painted here with their good and bad sides.

This opera, which premiered in 1728, is Handel's last written for the Royal Academy. The opera was repeated in 1730 and 1733 in different versions, depending on the availability of singers. Arias from other operas were added to replace deleted ones. The story refers to the historical Ptolemy IX Lathyrus, who reigned with his mother, Cleopatra III, in 116 BC. He was deposed in favor of his brother Ptolemy X Alexander and around 106 BC. exiled to Cyprus.

20 years of Music Theater Transparent

A response from Lindy Hume

"I recall Tolomeo with great fondness and excitement – it was my first production in Europe and to be in Antwerp discovering this beautiful music, the gorgeous singers and the company and the city itself, was delicious yet strange. It’s a feeling I can still remember clearly and will always associate with the music of Tolomeo. My clever colleague Dan Potra had designed a set entirely of paper walls which was gradually torn and slashed and written on and burned. It was a beautiful idea – a fragile membrane between chaos and order - and it looked wonderful under lighting. But it was really hard to work with and extremely noisy and drove me crazy after a few weeks, so I’m sure the singers and conductor hated it. But Tolomeo has some of Handel’s most fantastic arias and scenes, particularly the incredible “stille amare” suicide scene and the rock and roll nihilism of “Son qual rocca”.

It’s an amazingly emotional and bizarre piece, a bit like a dream-landscape and just thinking about it now makes me want to hear it again. Tolomeo is also special because it was the beginning of a very long and joyful friendship with Guy and Luc which has lasted many years, bringing us together in many different cities, countries and situations! I have much to thank Tolomeo for."

English

Hij weet niet dat zowel zijn trouwe echtgenote, Seleuce, als zijn broer Alessandro naar hem op zoek zijn. De vermomde Tolomeo wordt ongewild betrokken bij de amoureuze en politieke ambities van de koninklijke broer en zus (Araspe en Elisa) die over het eiland regeren.

De tocht van de totale chaos naar het happy end, test de integriteit, het vertrouwen en de liefde van deze Egyptenaar - maar uiteindelijk krijgt de triomferende Tolomeo zijn troon en zijn Seleuce terug. Tegen een exotische, quasi-historische achtergrond, ontwikkelt zich een menselijk verhaal over wanhopige mensen - verliefd, vermomd, in ballingschap. De pijnlijk eerlijke muzikale beschrijvingen van Händel verklankt een gebroken hart, jaloezie, ambitie, trouw en ware liefde. Vijf mensen worden hier verfijnd geschilderd met hun goede en slechte kanten.

Deze opera, die in première ging in 1728, is de laatste die Händel  schreef voor de Royal Academy. De opera werd in 1730 en 1733 nog hernomen in verschillende versies, afhankelijk van de beschikbaarheid van zangers.  Aria’s uit andere opera’s werden toegevoegd ter vervanging van geschrapte. Het verhaal verwijst  naar de historische Ptolomeus IX Lathyrus, die samen met zijn moeder, Cleopatra III regeerde in 116 v. Chr. Hij werd afgezet ten gunste van zijn broer Ptolomeus X Alexander en rond 106 v. Chr. naar Cyprus verbannen.

20 jaar Muziektheater Transparant

Een reactie van Lindy Hume

"I recall Tolomeo with great fondness and excitement – it was my first production in Europe and to be in Antwerp discovering this beautiful music, the gorgeous singers and the company and the city itself, was delicious yet strange. It’s a feeling I can still remember clearly and will always associate with the music of Tolomeo. My clever colleague Dan Potra had designed a set entirely of paper walls which was gradually torn and slashed and written on and burned. It was a beautiful idea – a fragile membrane between chaos and order - and it looked wonderful under lighting. But it was really hard to work with and extremely noisy and drove me crazy after a few weeks, so I’m sure the singers and conductor hated it. But Tolomeo has some of Handel’s most fantastic arias and scenes, particularly the incredible “stille amare” suicide scene and the rock and roll nihilism of “Son qual rocca”.

It’s an amazingly emotional and bizarre piece, a bit like a dream-landscape and just thinking about it now makes me want to hear it again. Tolomeo is also special because it was the beginning of a very long and joyful friendship with Guy and Luc which has lasted many years, bringing us together in many different cities, countries and situations! I have much to thank Tolomeo for."

Nederlands

Ptolemy, King of Egypt, HWV 25 by Händel, Od (1998/1998), Režie Lindy Hume,, Dirigent Paul Dombrecht, Stadsschouwburg, Bruges, Belgium

Výkonnostní kredity (Obsazení a tým )

Obsazení

Soubor

Program, Informace a Synopsis

Fotografie

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Termíny a místa představení

Divadla/scény