Name: The Resurrection
Start: 2023-07-09T00:00:00.000Z
End: 2023-07-23T00:00:00.000Z
Location: Schlosstheater

Organization

Conductor

Wolfgang Katschner

Stage director

Calixto Bieito

Set designer

Anna-Sofia Kirsch

Costume designer

Paula Klein

Lighting designer

Nicole Berry

Dramaturge

Xavier Zuber

Singer

Soprano

Amelia Scicolone

Angelo

Bass

Patrick Zielke

Lucifer

Seunghee Kho

Maria Magdalena

Contralto

Maria Polanska

Maria Cleofe

Tenor

Patrick Kabongo

Giovanni

Nationaltheater Mannheim

Orchestra

Nationaltheater-Orchester Mannheim

Taljan

The Resurrection

Schwetzingen

Germany

Schlosstheater

Public

Ġermaniż

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Death and resurrection, darkness and light, grief and life: these are the themes that George Frideric Handel dealt with in his oratorio on the resurrection written in Rome in 1708. Angels and devils measure their strength while Mary Magdalene, Mary Cleophas and the disciple John mourn at Jesus' tomb. Human emotions, the experience of being at the mercy and the creation of new hope are central to Handel's dramatic and musical design. Highest virtuosity contrasts with lyrical singing, exhilarating rhythms meet meditative passages and make all kinds of human emotions tangible. As with the previous work »Il trionfo del Tempo e del Disinganno«, Handel also creates his very own genre between oratorio and opera with »La Resurrezione«, between drama and contemplation. In the hands of director Calixto Bieito (»Marienvesper«, »Jakob Lenz«) it becomes an evening of theater full of contrasts, impressive images and enchanting beauty.

English

Tod und Auferstehung, Finsternis und Licht, Trauer und Leben: Das sind die Themen, mit denen sich Georg Friedrich Händel in seinem 1708 in Rom entstandenen Auferstehungs-Oratorium auseinandersetzt. Engel und Teufel messen ihre Kräfte, während Maria Magdalena, Maria Kleophas und der Jünger Johannes an Jesu Grab trauern. Menschliche Emotionen, das Erleben von Ausgeliefertsein und das Schöpfen neuer Hoffnung, sind dabei für Händels dramatisch-musikalische Ausgestaltung zentral. Höchste Virtuosität steht lyrischem Gesang gegenüber aufrauschende Rhythmen treffen auf meditative Passagen und machen menschliches Fühlen in all seinen Spielarten erlebbar. Ähnlich wie mit dem Vorgängerwerk »Il trionfo del Tempo e del Disinganno« erschafft Händel auch  mit »La Resurrezione« sein ganz eigenes Genre zwischen Oratorium und Oper, zwischen Dramatik und Kontemplation. In den Händen von Regisseur Calixto Bieito (»Marienvesper«, »Jakob Lenz«) wird daraus ein Theaterabend voller Kontraste, eindrücklicher Bilder und berückender Schönheit.

Deutsch

The Resurrection by Händel, Minn (2023/2023), Immexxi minn Calixto Bieito,, Surmast Direttur Wolfgang Katschner, Schlosstheater, Schwetzingen, Germany

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Ensemble

Programm, Dwar & Sinossi

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