Organization

Conductor

Daniel Carter

Stage director

Bernhard F Loges

Set designer

Ana Tasic

Costume designer

Singer

Tenor

Peter Aisher

Tom Rakewell

Soprano

Galina Benevich

Anne Truelove

Francesca Paratore

Bass-baritone

Daniel Carison

Nick Shadow

Mezzo-soprano

Kora Pavelić

Baba the Turk

Bass

Bartosz Araszkiewicz

Father Truelove

Dirk Mestmacher

Sellem

Contralto

Emily Lorini

Mother Goose

Dramaturge

Dorothee Harpain

Chorus master

Mikko Sidoroff

Lighting designer

René Klötzer, DE

Choreographer

Mark McClain

Landestheater Coburg

Others

Chor des Landestheaters Coburg

Orchestra

Philharmonisches Orchester Landestheater Coburg

engelsk

The Rake's Progress

Germany

The Rake's Progress Stravinsky

Public

tysk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Nick Shadow - The Rake's Progress

Inspired by William Hogarth's series of engravings "A Rake's Progress" (1733-35), which Igor Stravinsky (1882-1971) first saw in 1947 at the Chicago Art Institute, he and his librettists depict the gradual decline of the young libertine Tom Rakewell in eight scenes after. He leaves his beloved Anne Trulove to follow the mysterious stranger Nick Shadow to London to take up his inheritance. There he lives a life of licentiousness, squandering all his money and marrying the bearded and garrulous carnival sensation Baba the Turk. After a year, his assistant Nick Shadow - none other than the devil himself - demands his reward: Tom's soul. One final deck of cards will decide Rakewell's fate...


During the composition of his first and only opera, Stravinsky was primarily concerned with Mozart's "Così fan tutte" and skilfully incorporated echoes of Monteverdi, Handel, Mozart, Rossini and Verdi. The result is a neoclassical style pasticcio full of tonal harmonies, virtuoso coloratura all'Italian and lyrical melodies

Intendant Bernhard F. Loges, together with the set designer Ana Tasic and the general manager Daniel Carter, will stage this brilliant and socially critical parable about true values ​​apart from fame and money with analytical and satirical acumen.

English

Inspiriert von William Hogarths Kupferstichfolge „A Rake’s Progress“ (1733-35), die Igor Strawinsky (1882-1971) das erste Mal 1947 im Chicago Art Institute sah, zeichnen er und seine Librettisten in acht Bildern den schrittweisen Niedergang des jungen Libertins Tom Rakewell nach. Dieser verlässt seine Geliebte Anne Trulove, um dem geheimnisvollen Fremden Nick Shadow für den Antritt seines Erbes nach London zu folgen. Dort führt er ein zügelloses Leben, verprasst sein gesamtes Geld und heiratet die bärtige und geschwätzige Jahrmarktssensation Baba the Turk. Nach einem Jahr verlangt sein Gehilfe Nick Shadow – niemand anderes als der Teufel selbst – seinen Lohn: Toms Seele. Ein letztes Kartenspiel soll Rakewells Schicksal entscheiden …


Während der Komposition seiner ersten und einzigen Oper beschäftigt sich Strawinsky vor allem mit Mozarts „Così fan tutte“ und arbeitet geschickt Anklänge von Monteverdi über Händel, Mozart, Rossini bis Verdi mit ein. So entsteht ein neoklassizistisches Stil-Pasticcio voll tonaler Harmonien, virtuoser Koloraturen all’italiana und lyrischer Melodien.


Intendant Bernhard F. Loges wird gemeinsam mit der Ausstatterin Ana Tasic und dem GMD Daniel Carter diese brillante und gesellschaftskritische Parabel über wahre Werte abseits von Ruhm und Geld mit analytisch-satirischem Scharfsinn auf die Bühne bringen.

Deutsch

The Rake's Progress by Stravinsky, Fra (2022/2022), Instrueret af Bernhard F Loges,, Dirigent Daniel Carter

Forestilling krediteringer (Medvirkende & Produktionshold )

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Ensemble

Program, Information & Oversigt

Anmeldelser

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Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder