Organization

Münchener Biennale

Director(a) de escena

Sandra Strunz

Director(a) orquestal

Rei Munakata

Escenógrafo(a)

Sabine Kohlstedt

Diseñador(a) de iluminación

Nicole Berry

Diseñador(a) de sonido

Sebastian Schottke

Dramaturgia

Anna-Sophia Güther

Cantante

Johanna Greulich

Dana

Eva Resch

Sara

Jessica Higgins

Matthias Breitenbach

Data Collector

Ilya Lapich

Dream Interpreter

Maria Munkert

Coreógrafo(a)

Ted Stoffer

Deborah Maier

Art and mediation

Oliver Riedmüller

Nationaltheater Mannheim

Orchestra

Nationaltheater-Orchester Mannheim

inglés

The Damned and the Saved

Alemania

Public

alemán

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coro

Director(a) coral

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Entrenador(a) vocal

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Bajobarítono

Contratenor

Tenor

Barítono

Bajo

Contralto

Soprano

Mezzosoprano

Alto

Papel de hablante

Papel mudo

Vocalista infantil

In “The Damned and the Saved”, the composer Malin Bång and Pat To Yan, in-house author at NTM in the 2021/22 season, focus on the friendship of two women in their work together. In an unspecified repressive system, a machine rules as king, which is fed with garbage left behind after demonstrations. This is used for meticulous follow-up and provides information on entire biographies, which can then be switched off. The friends try to assert themselves against this totalitarian violence and choose different ways of resistance. This puts their relationship to the test, as Dana radically confronts herself and those around her with the rule of injustice, while Sara pursues a quieter revolution.

In his first libretto, Pat To Yan negotiates the question of how unconditional resistance must be in a metaphorical-simile and at the same time brutally concrete. In his text, levels of reality and dreams shift, which congenially merge through the music.

The music of the Swedish composer Malin Bång creates a cosmos full of surprising and contrasting sounds that range from restrained intimacy to stubborn sharpness. Her composition continues the rhythm and melody of Pat To Yan's libretto and creates both connections and boundaries between the worlds of experience of the two protagonists.

English

The Damned and the Saved by Bång, De (2022/2022), Dirigido por Sandra Strunz,, Director Rei Munakata

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Programa, Acerca de & Sinopsis

Más información

Fechas y lugares de actuación

Lugares