Name: Straszny dwór
Start: 2022-04-09T00:00:00.000Z
End: 2022-04-15T00:00:00.000Z
Location: Baltic Opera

Organization

Conductor

Tadeusz Kozłowski

Stage director

Marek Weiss

Set designer

Hanna Wójcikowska-Szymczak

Choreographer

Emil Wesołowski

Lighting designer

Piotr Miszkiewicz

Chorus master

Anna Michalak

Jakub Kontz

Agnieszka Długołęcka

Jakub Chrenowicz

Singer

Mezzo-soprano

Katarzyna Holysz

Czesnikowa

Baritone

Vitalij Vydra

Grzes

Leszek Skrla

Swordfish

Soprano

Edyta Piasecka

Hanna

Karolina Sikora

Jadwiga

Tenor

Ryszard Minkiewicz

Damazy

Bass-baritone

Tomasz Rak

Zbigniew

Zdzisław Madej

Stefan

Zbigniew Macias

Miecznik

Bass

Piotr Nowacki

Skołuba

Krzysztof Kozarek

Maciej

Opera Bałtycka

Straszny dwór -  (The Haunted Manor)

Gdańsk

Poland

Baltic Opera

Straszny dwór Moniuszko

Public

The Haunted Manor

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Sienkiewicz, Matejko, Moniuszko - this is the current trinity of soothsayers. Krasiński and Słowacki no longer exercise the government of souls. Only Mickiewicz with his unquestionable authority is at the forefront of everyone, but mainly thanks to the cult we have for Pan Tadeusz . So, Sarmatian nostalgia and dreams of power are still the basic fuel of national pride. It was not changed by Wyspiański or Gombrowicz. The luminaries of the People's Republic of Poland did not change it. We love our noble traditions, bravery, honor, courage and the Miecznik who lists this code of virtues to Damazim as a condition for applying for his daughter's hand. More than once, I saw the outrage in the audience when the director mocked this character and provided her aria with ambiguous quotation marks.

Nevertheless, the dispute with Sarmatia is the basic engine of our culture. Almost every Polish artist feels obliged to take part in this discussion. Almost every Polish viewer lively supports these disputes. Even generations that already seem cosmopolitan and for whom national virtues are a lame embarrassing topic from the school bench, really long to go deep into the past and discover the truth about their roots. So let's play it again and add here and now our conviction that the heroic poetry on which we were brought up also has its considerable price, which unexpectedly will have to be paid.

English

The Haunted Manor by Moniuszko, Od (2022/2022), Režie Marek Weiss,, Dirigent Tadeusz Kozłowski, Jakub Chrenowicz, Baltic Opera, Gdańsk, Poland

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény