Name: Stabat Mater
Start: 2022-04-28T00:00:00.000Z
End: 2022-05-05T00:00:00.000Z
Location: Salle Olivier Messiaen

Organization

Conductor

Fransesco Corti

Soprano

Giulia Semenzato

Mezzo-soprano

Giuseppina Bridelli

Mezzosoprano

Les Musiciens du Louvre

Stabat Mater

Lyon

France

Opéra Nouvel de Lyon

Grenoble

Salle Olivier Messiaen

Stabat Mater Pergolesi

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Tenor

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Pergolese 's Stabat Mater is surely the most famous sacred page of the Neapolitan school of the first half of the 18th century. Its distribution throughout Europe after the early death of the composer is extraordinary : the work is very early printed in London and Paris. This masterpiece is set in a context of rapid musical production aimed at satisfying the constant demand for new music from the churches and chapels of Naples as demanding as the opera theatres. The imposing sacred productions of Leonardo Leo and Nicola Porpora testify to this. The devotion to the Virgin Mary inspires particularly moving pages such as the painful Salve Reginaof Leo, or that of Porpora. The effervescence of the Neapolitan musical milieu (particularly that of the "conservatori"), attracted many foreigners, who in turn spread this new musical style in Europe. The Neapolitan style will open the doors to European classicism, concentrating its expression on extremely natural singing lines, alternating introverted and typically “cantabili” movements, with virtuoso allegros. The School of Naples is the last which, until the middle of the 19th century, will preserve the great tradition of counterpoint and “scholarly” music, by cultivating the composition of complex pieces with tortuous harmonies and strict counterpoint. All of these influences are found, with an extraordinary balance, in theStabat Mater by Pergolese.

At the time, composers had a lot to do to satisfy the constant demand from the city's many churches and chapels, which were just as demanding as the opera theatres.
The devotion to Mary inspires particularly moving pages such as the painful Salve Regina by Léo, or that of Porpora, recently rediscovered.
Motivated by the local musical vitality, foreign composers like the German Hasse flocked and developed the Neapolitan style.
This opens up to European classicism, with its natural singing lines, its introverted and “cantabili” movements which alternate with virtuoso allegros.
Despite everything, Naples retained until 1850 (it would be the last) the tradition of counterpoint and learned music born at the end of the 17th century. The Concerti of Fiorenza testify to this, whose complex composition combines tortuous harmonies and strict counterpoint.

English

Stabat Mater by Pergolesi, Alkaen (2022/2022), Musiikinjohto Fransesco Corti, Salle Olivier Messiaen, Grenoble, France

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