Name: Siroé
Start: 2015-04-21T00:00:00.000Z
End: 2015-04-21T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Countertenor

Max Emanuel Cencic

Siroe

Franco Fagioli

Medarse

Soprano

Julia Lezhneva

Laodice

Tenor

Juan Sancho

Cosroe

Contralto

Mary-Ellen Nesi

Emira

Conductor

George Petrou

MusikTheater an der Wien

italia

Siroé -  (Siroe)

Vienna

Austria

Theater an der Wien

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Mezzo-soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Johann Adolf Hasse first made a career in Italy before he became Kapellmeister at the Saxon court in Dresden for 30 years from 1733. His opera SiroeHowever, he presented it on May 2, 1733 at the Teatro Malvezzi in Bologna. He had composed it for the most famous singers of his time: the castrati Farinelli and Caffarelli as well as the soprano Vittoria Tesi helped the opera to an immediate international success, the score reflects their brilliant singing skills. The libretto came from Hasse's friend Pietro Metastasio, Europe's leading opera poet. The text, written in 1726, was set to music by Georg Friedrich Händel in addition to von Hasse. Family confusions about lust for power, love, hate and revenge at the Persian royal court keep the audience in suspense and inspired Hasse to one of his most virtuoso compositions: King Cosroe of Persia would like to appoint his ambitious son Medarse instead of the firstborn Siroe as heir to the throne. Princess Emira, whose father was once murdered by Cosroe, lives at court disguised as a man, now she wants to kill Cosroe for her part. She is also the secret lover of Siroe, who does not want to help her with her revenge. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple.

English

Siroe by Hasse, Alkaen (2015/2015), Musiikinjohto George Petrou, Theater an der Wien, Vienna, Austria

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