Name: Sir Simon Rattle: Gurre-Lieder
Start: 2024-04-19T00:00:00.000Z
End: 2024-04-20T00:00:00.000Z
Location: Isarphilharmonie

Organization

Conductor

Simon Rattle

Singer

Soprano

Dorothea Röschmann

Tove

Mezzo-soprano

Jamie Barton

Waldtaube

Bass-baritone

Josef Wagner

Peasant

Spoken

Thomas Quasthoff

Narrator

Orchestra

Symphonieorchester des Bayerischen Rundfunks

Others

MDR Chorus

Gasteig

Tenor

Peter Hoare

Klaus-Narr

Chor des Bayerischen Rundfunks

Simon O'Neill

Waldemar

Sir Simon Rattle: Gurre-Lieder

Munich

Germany

Isarphilharmonie

Sir Simon Rattle: Gurre-Lieder: Gurre-Lieder Schoenberg, Arnold

Public

Gurre-Lieder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Is it an oratorio? Or perhaps a song cycle? A symphony? An opera? Schönberg’s Gurre-Lieder does not fit into any category – it barely even fits on a stage: over three hundred performers are required, including the largest orchestra a composer had ever required. In this case, “enormous” does not just denote the size of the performing forces. With its immense sound, Schönberg’s setting of a wild, romantic fairytale poem by Jens Peter Jacobsen can only be described as gigantic, exuberant, and overwhelming, and represents the final peak of late Romanticism (or its glowing swan song). This monumental work has only been performed three times in the history of the BRSO: in 1965 with Rafael Kubelík conducting, in 1988 with Zubin Mehta, and in 2009 with Mariss Jansons (which, incidentally, was the year of the BRSO’s 60th anniversary). Sir Simon Rattle has adored Gurre-Lieder from an early age, and describes it as “sexy, elegant, sensual.” A more fitting work for this gala would be impossible to find. The BRSO is turning 75, Schönberg 150 – and in this case, more is more!

English

Oratorium? Oder doch: Liederzyklus? Symphonie? Oper? Schönbergs Gurre-Lieder passen in keine Schublade. Sie passen ja kaum auf die Bühne! Über 300 Mitwirkende, darunter die größte Orchesterbesetzung, für die je geschrieben wurde. »Enorm« meint hier nicht nur das personelle Ausmaß. Gigantisch!, überbordend!, überwältigend!, der voluminöse Klang dieser Vertonung einer wildromantischen Märchendichtung von Jens Peter Jacobsen und der letzte Gipfelpunkt der Spätromantik (oder auch ihr glühender Abgesang). Erst dreimal in der Geschichte des BRSO wurde dieses monumentale Werk überhaupt realisiert: 1965 unter Rafael Kubelík, 1988 unter Zubin Mehta und 2009 unter Mariss Jansons (übrigens zum 60. Jubiläum). Für Sir Simon Rattle sind die Gurre-Lieder eine alte Jugendliebe: »Sexy, elegant, sinnlich.« Unmöglich, dass es ein passenderes Werk für diese Gala geben könnte. Das BRSO wird 75, Schönberg 150 – da gilt: Mehr ist mehr!

Deutsch

Sir Simon Rattle: Gurre-Lieder by Schoenberg, Arnold, Nuo (2024/2024), Dirigentas Simon Rattle, Isarphilharmonie, Munich, Germany

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