Name: Siberia
Start: 2022-05-06T00:00:00.000Z
End: 2022-05-09T00:00:00.000Z
Location: Teatro Real

Organization

Cantante

Soprano

Sonya Yoncheva

Stephana

Mezzosoprano

Elena Zilio

Nikona

Mercedes Gancedo

La fanciulla

Baritono

George Petean

Gleby

Tenore

Alejandro del Cerro

Alexis

Albert Casals

Ivan

Basso

Fernando Radó

Il capitano

Il cosacco

Il governatore

Direzione d'orchestra

Domingo Hindoyan

Direzione del coro

Andrés Máspero

Murat Karahan

Vassili

Tomeu Bibiloni

Mishkinsky

L'invalido

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

italiano

Siberia

Madrid

Spagna

Teatro Real

Sala Principal

Siberia Giordano

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Contralto

Basso-baritono

Alto

Continuo

Mimi

Narrazione

Voce bianca

The Viennese premiere of Umberto Giordano’s first opera –Mala vita– in September 1892 received an explicit review from the legendary music critic Eduard Hanslick: «His sense of drama is stronger than his musical talent, his temperament is stronger than his art ». This sentence hovers over most of the operatic catalogue of Giordano, a key figure of the giovane scuola verisimo, thanks to the lasting successes of Andrea Chénier and, to a lesser degree, Fedora. As a consequence of the latter, with its Russian setting, Siberia (1903) enjoyed a short lived popularity before falling into oblivion. A contributing factor was the libretto of Luigi Illica which rewrote the love triangle that had already been used in Andrea Chénier and Tosca, integrating an exotic and extravagant aspect into this piece.  
The score by Giordano, on the other hand, plays a more interesting trump card with its copious incorporation of Russian folk songs and the use of dissonance to express paroxysm and desperation. A point in favour of Siberia was the warm reception in Paris in 1905, where it was met with the favourable opinion of Gabriel Fauré, who saluted the second act as “one of the most remarkable and captivating that modern dramatic music can offer.

English

El estreno vienés de la primera ópera de Umberto Giordano –Mala vita– en septiembre de 1892 mereció una certera reseña por parte del legendario crítico musical Eduard Hanslick: «Su sentido del drama es más fuerte que su talento musical, su temperamento más fuerte que su arte». Esta sentencia planea sobre la mayor parte de la producción operística de Giordano, autor clave de la giovane scuola verista merced a éxitos perdurables como Andrea Chénier y, en menor medida, Fedora. Secuela de esta última en cuanto a la ambientación rusa, Siberia (1903) gozó de una fugaz popularidad antes de caer en el olvido, destIno al que contribuyó el libreto de Luigi Illica, que reeditó el triángulo amoroso explotado ya en Andrea Chénier y Tosca, integrado aquí en una trama tan exótica como extravagante.

La partitura de Giordano juega, en cambio, bazas más interesantes gracias a la profusa integración de melodías folclóricas rusas y la utilización de la disonancia para expresar el paroxismo y la desesperación. Testifican a favor de Siberia su calurosa acogida en París en 1905, que recibió elogiosas palabras de Gabriel Fauré, quien saludó su segundo acto como «una de las páginas más singulares y cautivadoras que puede ofrecer la música dramática moderna».

español

Siberia by Giordano, Da (2022/2022), Direttore d'orchestra Domingo Hindoyan, Teatro Real, Madrid, Spagna

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

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