Name: Schoenberg 150
Start: 2024-10-25T00:00:00.000Z
End: 2024-10-27T00:00:00.000Z
Location: Het Concertgebouw

Admin

Concertgebouworkest

Het Concertgebouw

Conductor

François-Xavier Roth

Orchestra

Singer

Soprano

Barbara Hannigan

Sopran

Schoenberg 150

Amsterdam

Netherlands

Public

Concert

Pelleas und Melisande, Op.5

5 Pieces for Orchestra op.16 IAS 26

Expectation

Jnanakumar P

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass

Countertenor

Baritone

Contralto

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Both innovative and compelling: the Concertgebouw Orchestra presents a unique triptych to mark Arnold Schoenberg’s 150th birthday. The ominous one-act Erwartung, featuring the brilliant soprano Barbara Hannigan, is framed by the groundbreaking Fünf Orchesterstücke and the shimmering late-romantic orchestral work Pelleas und Melisande. François-Xavier Roth conducts, and Pierre Audi, the Concertgebouw Orchestra’s creative partner, has designed a visually captivating mise en espace.

The triptych sheds light on the fascinating development of Schoenberg’s music over the course of just a few years. In his great orchestral work Pelleas und Melisande, dating from 1902 and inspired by a tragic love story, we hear echoes of Wagner and Richard Strauss. The nightmarish Erwartung from 1909, which probes the darkest caverns of the soul, forced Schoenberg to abandon tonality. That same year, he composed his Fünf Orchesterstücke, with the middle movement and its subtly fading colour as a resting point.

This programme was made possible thanks to the financial support of Ammodo.

English

Schoenberg 150 by Schoenberg, Arnold, Aπό (2024/2024), αγωγός François-Xavier Roth, Het Concertgebouw, Amsterdam, Netherlands

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